The efficacy of Laban movement analysis as a framework for observing and analysing space in Rosas danst Rosas

Abstract

Tarryn-Tanille Prinsloo (PhD) is a Certified Laban/Bartenieff Movement Analyst™ and lectures part-time on Body pedagogies in Live and Digital Performance studies at the University of Pretoria. Her interests include the relationship between the camera and the moving body and intermediality among different mediums. She has written five feature film screenplays, all produced in South Africa.Marth Munro (PhD) specialises in bodymind and voice in behaviour and performance. She is a Certified Laban/Bartenieff Movement Analyst™, and Master Teacher of Lessac Kinesensic Voice and Body Training®. She is also a Certified NLP Business, Executive and Life Coach, Qualified Sound Therapist, Qualified Hatha Yoga Teacher and a Bio-, Neurofeedback practitioner. She is a professor extraordinaire at the Drama Department, University of Pretoria. She teaches Performance voice, movement and acting. She has taught in South Africa, United States of America, Finland and Croatia. She facilitates workshops in business communication and emotional competence. She still finds time for various artistic endeavours and practice-based research publications.Chris Broodryk (PhD) lectures Drama and Film Studies at the Drama Department of the University of Pretoria. He has published articles and book chapters on Afrikaans and South African cinema, and he has delivered conference papers internationally on the same topics, addressing the failures of multiculturalism and the exploring the notion of political cinema in a South African context. His research interests include the intersection of psychology, theology and film, as well as the Digital Humanities and social media studies.

Elemental Motion in Spatial Interaction (EMSI): A Framework for Understanding Space through Movement and Computer Vision

“…Movement classifications also exist in fields such as modern dance. Choreographer Rudolf von Laban created the Laban Movement Analysis, which captures the differences in qualities of movement that would be missed in purely formal analyses (Newlove, 1993;Prinsloo et al, 2019). It has been used in applications such as work efficiency and physical rehabilitation (Ajili et al, 2017).…”

Proceedings of the 27th Conference on Computer Aided Architectural Design Research in Asia (CAADRIA) [Volume 1]

“…Movement classifications also exist in fields such as modern dance. Choreographer Rudolf von Laban created the Laban Movement Analysis, which captures the differences in qualities of movement that would be missed in purely formal analyses (Newlove, 1993;Prinsloo et al, 2019). It has been used in applications such as work efficiency and physical rehabilitation (Ajili et al, 2017).…”

La Tecnología Y La Educación en Danza: Una Revisión Bibliográfica en Wos (2011-2021)

“…Son un medio por el que se transmiten culturas extranjeras y cómo las danzas de otros países influyen en danzas tradicionales (Achayutthakan & Chuppunnarat, 2017). Además, las TIC también se han aprovechado para la introducción de un nuevo vocabulario en danza relacionado con el espacio, (Prinsloo et al, 2019) y en los procesos de creación en los diferentes montajes coreográficos (Claid, 2016). Así, el Proyecto Trans (m) pretendió mostrar una práctica de investigación colaborativa de creación en danza a través de plataformas tecnológicas (Weber et al, 2017).…”