2015
DOI: 10.1080/08351813.2015.1025499
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The Embodied Turn in Research on Language and Social Interaction

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Cited by 230 publications
(100 citation statements)
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References 204 publications
(349 reference statements)
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“…This claim builds on CA studies that use video analysis to study periods of non-vocal activity in talk (Heath, Hindmarsh, & Luff, 2010;Nevile, 2015), and draws on novel methods within this literature for analysing and transcribing interaction where embodiment is central, such as in dance (Keevallik, 2013;Laurier, 2014). This approach contributes to CA studies of audiences (Atkinson, 1984;Broth, 2011) and related studies that pursue more detailed displays of audience attentiveness (Llewellyn, 2005).…”
Section: Embodied Action Built With Non-vocal Resourcesmentioning
confidence: 99%
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“…This claim builds on CA studies that use video analysis to study periods of non-vocal activity in talk (Heath, Hindmarsh, & Luff, 2010;Nevile, 2015), and draws on novel methods within this literature for analysing and transcribing interaction where embodiment is central, such as in dance (Keevallik, 2013;Laurier, 2014). This approach contributes to CA studies of audiences (Atkinson, 1984;Broth, 2011) and related studies that pursue more detailed displays of audience attentiveness (Llewellyn, 2005).…”
Section: Embodied Action Built With Non-vocal Resourcesmentioning
confidence: 99%
“…This initiative to capture audience talk points to an evidential limitation of the current study: CA research into audience involvement primarily analyses non-vocal audience behaviours in relation to performers' talk. In a survey of the increasing number of studies that deal primarily with embodied actions and non-vocal resources, Nevile (2015) shows that most still relate their analyses to participant talk and asks "for 'interaction,' must we always have talk?" This study suggests that using only non-vocal resources, participants' embodied displays of confidence in rhythmical coordination in this setting can reveal their involvements in the ongoing activities, phases and organisational structures of the performance as it unfolds.…”
Section: Analytic Distinctions Between Improvisation and Choreographymentioning
confidence: 99%
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“…12-13). As CA's contexts of study have become increasingly diverse, multimodal (Nevile, 2015), and mobile, it has relied on its core methods to remain resolutely "qualitative, inductive, and strictly empirical" (Haddington, Mondada, & Nevile, 2013, p. 7) and essentially tried to minimize the separation of the context of discovery from the context of justification as much as possible. Analysts begin by noticing recurrent patterns or skewed distributions of some candidate phenomena while reviewing and transcribing recordings of interaction, then interrogating their possible interactional uses during presentation and discussion at regular CA "data sessions" (Harris, Theobald, Danby, Reynolds, & Rintel, 2012).…”
Section: Ca's Reliance On Naturalistic Datamentioning
confidence: 99%
“…All multimodal resources may mediate not only interaction, but instruction and learning, shared understanding and development, support cognition, organize knowledge and participation, and understanding is bound to these resources (e.g. Luff, Heath & Hindmarsh, 2000, Nevile, 2015.…”
Section: Multimodal Interactionmentioning
confidence: 99%