“…Whalen, Whalen, & Henderson, 2002). The 'embodied turn' in CA studies (Nevile, 2015) has emphasised how participants use conventionalised sequences of embodied talk, gesture, and body orientation to pursue -or to constrain and reorganise courses of situated social action (C. Goodwin, 1981;Haddington et al, 2013;Hazel, Mortensen, & Rasmussen, 2014;Heath, 1984;Schegloff, 1985). CA studies of Lindy hop workshops (Broth & Keevallik, 2014;Keevallik, 2014) show how dance instructors combine talk, partnered movement and 'bodily-vocal demonstrations' as instructions for students to follow -and as 'corrections' for when students visibly deviate from a normatively adequate response (Keevallik, 2010).…”