“…Our interest, if not our duty, lies in the exploration of radical, transgressive forms that strive to open up and disrupt such consuetudinal agency and work with tools that open the self to radical transformations, allowing for uncertainty and doubt. Inspirations come from Barrett and her 'exegesis as meme' and her suggestions of novel ways of asking the validity questions [28] from Trinh's experiments wherein disrupted forms of representation with quotes, and film images juxtaposed intertextuality in ambitious discontinuous forms challenge conventional meaning, "incorporating the poetic into the analytic", and unveil "decentered realities, fragmented selves and multiple identities, languages of rupture" [29], but also from Vincs' dance research [30], Perry's creative writing research [31] and other artists' practices viewed as knowledge production and a kind of philosophy-in-action [32]. Such research approaches can be acts of necessity, born out of the struggle of representation, the need to create new forms through which to represent alternative knowledges.…”