Practice as Research 2007
DOI: 10.5040/9780755604104.ch-012
|View full text |Cite
|
Sign up to set email alerts
|

The Exegesis as Meme

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

2013
2013
2022
2022

Publication Types

Select...
3
1

Relationship

0
4

Authors

Journals

citations
Cited by 4 publications
(3 citation statements)
references
References 0 publications
0
3
0
Order By: Relevance
“…Our interest, if not our duty, lies in the exploration of radical, transgressive forms that strive to open up and disrupt such consuetudinal agency and work with tools that open the self to radical transformations, allowing for uncertainty and doubt. Inspirations come from Barrett and her 'exegesis as meme' and her suggestions of novel ways of asking the validity questions [28] from Trinh's experiments wherein disrupted forms of representation with quotes, and film images juxtaposed intertextuality in ambitious discontinuous forms challenge conventional meaning, "incorporating the poetic into the analytic", and unveil "decentered realities, fragmented selves and multiple identities, languages of rupture" [29], but also from Vincs' dance research [30], Perry's creative writing research [31] and other artists' practices viewed as knowledge production and a kind of philosophy-in-action [32]. Such research approaches can be acts of necessity, born out of the struggle of representation, the need to create new forms through which to represent alternative knowledges.…”
Section: Discussionmentioning
confidence: 99%
“…Our interest, if not our duty, lies in the exploration of radical, transgressive forms that strive to open up and disrupt such consuetudinal agency and work with tools that open the self to radical transformations, allowing for uncertainty and doubt. Inspirations come from Barrett and her 'exegesis as meme' and her suggestions of novel ways of asking the validity questions [28] from Trinh's experiments wherein disrupted forms of representation with quotes, and film images juxtaposed intertextuality in ambitious discontinuous forms challenge conventional meaning, "incorporating the poetic into the analytic", and unveil "decentered realities, fragmented selves and multiple identities, languages of rupture" [29], but also from Vincs' dance research [30], Perry's creative writing research [31] and other artists' practices viewed as knowledge production and a kind of philosophy-in-action [32]. Such research approaches can be acts of necessity, born out of the struggle of representation, the need to create new forms through which to represent alternative knowledges.…”
Section: Discussionmentioning
confidence: 99%
“…In Material Thinking (2004) Carter explains that "the language of creative research is related to the goal of material thinking, and both look beyond the making process to the local reinvention of social relations" (10). Building on this change Carter advocates through creative processes of Material Thinking, Barrett (2007) proposes that "artistic practice be viewed as the production of knowledge or philosophy in action" and specifically suggests: "[t]he emergence of the discipline of practice-led research highlights the crucial interrelationship that exists between theory and practice and the relevance of theoretical and philosophical paradigms for the contemporary arts practitioner" (1). 'Making' produces new thought, but such thought is disavowed and devalued through processes of feminization and abjection.…”
Section: Why Bodies Mattermentioning
confidence: 99%
“…The first was a workshop on journaling, a necessary practice-led andbased technique for documentation and reflection of and on process. We discussed how journaling assists with exegetical writing through the revisioning of research ideas and practice (Barrett, 2007), and how it can often reveal an internal dialogue. We also discussed the scope of what constitutes a journal.…”
Section: This Is Not Rocket Science Workhopsmentioning
confidence: 99%