2007
DOI: 10.1007/s00339-007-4231-2
|View full text |Cite
|
Sign up to set email alerts
|

The gilded bronze panels of the Porta del Paradiso by Lorenzo Ghiberti: non-destructive analyses using X-ray fluorescence

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
6
0

Year Published

2008
2008
2020
2020

Publication Types

Select...
5

Relationship

0
5

Authors

Journals

citations
Cited by 6 publications
(6 citation statements)
references
References 4 publications
0
6
0
Order By: Relevance
“…Little interest has been shown in coins over the current review year, but Civici et al 247 used EDXRF to analyse a hoard of silver coins minted by the Illyrian king Monounios (3rd century BC), using trace compositions (Au, Bi, Pb) to classify them. Gilded bronze panels were of interest to Ferretti and Siano, 248 who used PXRF to evaluate details of the development of an art foundry during the early Renaissance, based on a study of the Porta del Paradiso by Lorenzo Ghiberti.…”
Section: Archaeological Cultural Heritage and Forensicmentioning
confidence: 99%
“…Little interest has been shown in coins over the current review year, but Civici et al 247 used EDXRF to analyse a hoard of silver coins minted by the Illyrian king Monounios (3rd century BC), using trace compositions (Au, Bi, Pb) to classify them. Gilded bronze panels were of interest to Ferretti and Siano, 248 who used PXRF to evaluate details of the development of an art foundry during the early Renaissance, based on a study of the Porta del Paradiso by Lorenzo Ghiberti.…”
Section: Archaeological Cultural Heritage and Forensicmentioning
confidence: 99%
“…This case study also shows that XRF analytical information can be quantitative without necessarily aiming at elemental quantication. This approach has also been used to attribute the loose parts or fragments to a given artefact [39][40][41] to investigate the recycling of parts from the pre-existing objects, 42,43 to highlight casting sequences in the fabrication of complex artefacts, 41,44,45 and to study the use of different alloys to obtain chromatic effects. 46 Other applications of portable XRF concern the analysis of bi-layered structures (a substrate and a coating), which are relatively common in ancient metal artefacts.…”
Section: Measurement Strategies For Using Portable Xrf Devicesmentioning
confidence: 99%
“…[67 -70] Determining the composition of the metal alloy, as well as the nature of any applied surface treatments, [71] or join and repair materials, may provide insight into the materials and practices characteristic of an individual artist, or the foundry technology of a particular era. [24,25] For sculpture, the composition of repairs and solder joins is a means of determining whether or not the object has undergone modification or repair subsequent to its original manufacture. These joins may be on the order of a millimeter or less in width, and an XRF spectrometer with an output aperture on the order of a few millimeters may not be able to adequately determine their composition, as the spectrum would be dominated by the surrounding metal.…”
Section: Sculpturesmentioning
confidence: 99%
“…Although the excitation profile may be somewhat shapeable through the use of filters and control of the tube voltage and current, multiple instruments (with different anodes) may be necessary to provide optimal excitation profiles for all elements. The single spot analyses provided by these instruments are well suited for examining areas on objects that are homogeneous on the order of the size of the output aperture, such as is the case for most photographs, [21 -23] the bulk alloy of bronze sculpture, [24,25] and ceramic bodies. [26 -28] However, many works of art, most notably illuminated manuscripts, [29 -32] drawings, [31,33] and inlaid metals or painted enamels, [34] have fine-scale features that cannot be adequately probed with these spectrometers.…”
Section: Introductionmentioning
confidence: 99%