The Historical Memory of the Tatar People in the Works of Musical Culture

Муфтахутдинова, Д. Ш.; Khurmatullina, Rezeda

doi:10.1016/j.sbspro.2015.02.367

Cited by 2 publications

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“…Zoteyeva (2013) researched the Russian national anthem as a genre of political discourse. D. Muftakhutdinova (2015) wrote about the historical memory of the Tatar people in the works of Tatar musical culture, R. Khurmatullina, G. Batyrshin, L. Safiullina, & J. Blinova (2017) studied the historical and political contexts of the formation of the musical culture of the Tatars.…”

Section: Introductionmentioning

confidence: 99%

The Unofficial Anthem of the Tatar People "Tugan Tel" as Political Discourse

Khurmatullina

2018

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The study of the anthem in forging national identity is a contemporary view, which allows us to consider the anthem as a historical source, which reflects both the historical memory and the national identity of the people. The song "Tugan tel", which was first performed in 1909, is passed on by Tatars from generation to generation as a folk tradition, as the symbol of national unity, thanks to which is perceived by the people as an anthem. This song brings together Tatars scattered around the world, helping each of them to feel a sense of ownership of the national origins, language and culture. In Soviet times, when national schools were closed, at various events of the Tatar public "Tugan tel" sang chorus as a protest against the national policy of the center. This song, which talks about the huge role and importance of the Tatar language in the preservation of national culture, has become particularly relevant and acute in connection with the sociopolitical events that took place in the second half of 2017 in the Republic of Tatarstan on the teaching of the Tatar language in schools. Since art is inextricably connected with a context of historical, social, political, and moral conditions, approaching these issues will be the subject of our discourse. We are also trying to answer the question of how historical memory, national identity, politics and music are related.

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Section: Introductionmentioning

confidence: 99%

The Unofficial Anthem of the Tatar People "Tugan Tel" as Political Discourse

Khurmatullina

2018

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“…The considerations appearing in the studies by Z. Mozheiko, O. Pashina, L. Chibirov, V. Ouarziati, etc. made it possible to address the calendar rituals across the historical and ethnographic dimension and encapsulate historical development of the Ossetic calendar folklore. This topic is also debated by some foreign researchers (Hunt & Chenciner, 2006;Mendoza, 1998;Muftakhutdinova & Khurmatullina, 2015;Smirnova, 2009;Vīķis-Freibergs, 1984).…”

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Autumn Songs Of The Ossetic Folk Calendar: On Typology And Musical Stylistics

Dzlieva¹

2021

Knowledge, Man and Civilization - Proceedings of International Scientific Congress «Knowledge, Man and Civilization» (ISCKMC 20

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The Historical Memory of the Tatar People in the Works of Musical Culture

Cited by 2 publications

References 1 publication

The Unofficial Anthem of the Tatar People "Tugan Tel" as Political Discourse

The Unofficial Anthem of the Tatar People "Tugan Tel" as Political Discourse

Autumn Songs Of The Ossetic Folk Calendar: On Typology And Musical Stylistics

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