1997
DOI: 10.1016/s0160-7383(97)00053-4
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The iconography of the tourism experience

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Cited by 145 publications
(62 citation statements)
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“…They may play a significant role in the acceptance of planned spatial transformations as well as in the choice of specific design proposals. Little is known about the potential effects of narrative interventions (however, see Sternberg, 1997 for the impact of narratives on the experiential qualities of tourist destinations).…”
Section: The Addition Of Verbal Narrativesmentioning
confidence: 99%
“…They may play a significant role in the acceptance of planned spatial transformations as well as in the choice of specific design proposals. Little is known about the potential effects of narrative interventions (however, see Sternberg, 1997 for the impact of narratives on the experiential qualities of tourist destinations).…”
Section: The Addition Of Verbal Narrativesmentioning
confidence: 99%
“…However, shopping as a leisure activity extended these conventional business practices of border economies to the domain of the rapidly increasing experience economy [28] [29], with shopping becoming the main objective of the overall travel experience. Apart from the growing segment of travelers wishing to obtain cheap products abroad there now is also an increasing number of people who desire to experience luxury.…”
Section: Review Of Literaturementioning
confidence: 99%
“…It is perhaps for this reason that scholars appear to associate the EE most readily with the tourism industries (Baernoldt et al, 2004) where people pay to experience somewhere or something different that will leave them transformed through rest, adventure or education (eg see Powell et al, 2011 for a discussion of transformative effects of the Antarctic tourism experience). Tourism has frequently been cited as an experiential endeavour, even before conception of the EE model (eg Ryan, 1991;Wang, 1999;Sternberg, 1997). A "performance turn" in tourism studies has rejected the passiveness of the "tourist gaze" and emphasises the embodiment of the tourist experience, its multisensory and collaborative nature (Urry, 1990;Larson and Urry, 2011;Coleman and Crang, 2004;Sundbo and Darmer [eds], 2008).…”
Section: Shima Volume 11 Number 2 2017mentioning
confidence: 99%