2021
DOI: 10.3390/app11031197
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The Importance of Being Versatile: INFN-CHNet MA-XRF Scanner on Furniture at the CCR “La Venaria Reale”

Abstract: At present, the use of non-destructive, non-invasive X-ray-based techniques is well established in heritage science for the analysis and conservation of works of art. X-ray fluorescence (XRF) plays a fundamental role since it provides information on the elemental composition, contributing to the identification of the materials present on the superficial layers of an artwork. Whenever XRF is combined with the capability of scanning an area to provide the elemental distribution on a surface, the technique is ref… Show more

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Cited by 17 publications
(11 citation statements)
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“…Further type of works of art analysed with this instrument are Venetian illuminated manuscripts [56], furniture of the XVIII century [57], and French ceramics [58].…”
Section: Technological Advances: Infn-chnet Ma-xrf Scannermentioning
confidence: 99%
“…Further type of works of art analysed with this instrument are Venetian illuminated manuscripts [56], furniture of the XVIII century [57], and French ceramics [58].…”
Section: Technological Advances: Infn-chnet Ma-xrf Scannermentioning
confidence: 99%
“…The instrument has already been used for a number of different applications, i.e. paintings [18]- [21], illuminated manuscripts [22], coins [23], ceramics [24], and furniture [25].…”
Section: The Infn-chnet Ma-xrf Scannermentioning
confidence: 99%
“…Also in this case, MA-XRF proved to be a powerful technique that can be easily utilized as an early noninvasive and non-destructive analytical method as a guide for a subsequent, more accurate, scientific analysis. The same scanner was used in the work by Sottili et al [6] for an uncommon application to furniture at the Centro di Conservazione e Restauro "La Venaria Reale" (Turin, Italy), a leading conservation center in the field. The use of the MA-XRF technique on furniture has provided information on the elemental-spatial distribution of the decorative layers, such as gilding and ivory, on the polychromatic surfaces of a chinoiserie lacquered cabinet of the 18th century and a desk by Pietro Piffetti (1701-1777).…”
Section: Review Of Issue Contentsmentioning
confidence: 99%