2014
DOI: 10.1075/pc.22.1.01kir
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The importance of chance and interactivity in creativity

Abstract: Individual creativity is standardly treated as an 'internalist' process occurring solely in the head. An alternative, more interactionist view is presented here, where working with objects, media and other external things is seen as a fundamental component of creative thought. The value of chance interaction and chance cueing -practices widely used in the creative arts -is explored briefly in an account of the creative method of choreographer Wayne McGregor and then more narrowly in an experimental study that … Show more

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Cited by 40 publications
(44 citation statements)
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“…For the next 1:24 minutes the participant worked out the distribution of the animals such as to meet the problem requirement. (Kirsh, 2014).…”
Section: Trajectory To Solution: Singular and Contingentmentioning
confidence: 99%
“…For the next 1:24 minutes the participant worked out the distribution of the animals such as to meet the problem requirement. (Kirsh, 2014).…”
Section: Trajectory To Solution: Singular and Contingentmentioning
confidence: 99%
“…Research on expert Tetris players suggests an inverted U-shaped relationship of action and expertise with complementary actions decreasing as expertise increases (Destefano, Lindstedt, & Gray, 2011). In his word production task, Kirsh (2014) also reports a significantly different strategy between the best and the worst performing participants reflected by the number of shuffles. Excess shuffling represented a disadvantage either because the participants who shuffled more were less able to produce words and so chose to shuffle more frequently to break their impasse or because shuffling too much was itself a poor strategy.…”
Section: Individual Differences In Behaviourmentioning
confidence: 99%
“…Additionally, Kirsh (2014) used this task to test more explicitly the role of luck in word production. Alongside a low-and high-interactivity task environment he introduced a shuffle condition to isolate the element of chance.…”
Section: The Word Production Taskmentioning
confidence: 99%
“…119-120). Cognitive archaeology is ultimately about the relationship between human cognition and physical human artifice, and this perspective can challenge notions of cognition (Kirsh, 2014;Sterelny, 2017;Vallée-Tourangeau, 2014).…”
Section: Epistemic Challenges and Valuementioning
confidence: 99%