The interlinear translation of a poetic text: history, typology and its role in the intercultural communication

Nikonova, Natalia E.

doi:10.17223/18137083/22/22

Cited by 2 publications

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“…Russian scholars considered indirect translation as a factor contributing to the development of the Soviet school of poetic translation, in spite of the fact that the mass character of translations from national languages into Russian lowered the quality of "the product" (Nikonova, 2008).…”

Section: Introductionmentioning

confidence: 99%

Translation as a Communication Strategy in Representing National Culture

Akkaliyeva

Abdykhanova

Meirambekova

et al. 2021

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The linguistic trinity policy, which has been implemented in Kazakhstan since its independence in the 1990s, is aimed at integrating translation into global processes. Kazakh-Russian bilingualism, caused by the historical and geopolitical proximity of the two countries, is now turning into trilingualism, joining up with English as the dominant language for international communication. Literary translation as a part of cross-cultural communication is also involved in social inclusion processes, contributing to the exchange of cultural values and a better understanding of modern multilingual Kazakhstani society. This article focuses on the issue of presenting Kazakh literature in translation through a mediating language and the research involves an analysis of culture-related lexemes as representations of a nomadic lifestyle in the mirror of intercultural communication. The authors highlight cultural and linguistic aspects of Kazakh transmitted from the mediatory Russian into the target English. Based on a review of previous findings on indirect literary translation, this article discusses whether a mediating language affects the inclusion of Kazakh culture in the globalization process.

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Section: Introductionmentioning

confidence: 99%

Translation as a Communication Strategy in Representing National Culture

Akkaliyeva

Abdykhanova

Meirambekova

et al. 2021

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Author’s Identity and Translator’s Identity: A Clash of Positions and Creative Synthesis

Dzaparova

2024

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This article addresses the issues of artistic translation. It evaluates the potential for mutual collaboration between the author and the translator, as well as the conflicts that may arise between them. Various types of artistic translation are analyzed. It is noted that in traditional translation, the creative individuality of the translator is manifested where the author's identity is diminished, resulting in a greater reflection of the translator’s own experiences. This approach inevitably leads to deviations in translation, discrepancies in worldview orientations, and clashes between two idiolects. In works co-created by the original author and the translator, the linguistic and cultural specifics of the translation actors are taken into account, including the recipient as a full-fledged participant in intercultural communication. In self-translation, the clash of the author’s and translator’s mindsets is unavoidable when the socio-cultural realities reflected in the texts of different languages do not align. An authentic text emerges with its own historical, cultural, and literary context. The creator of the text thinks across different linguistic and cultural dimensions, striving to produce a complete work in another language, which consequently transforms not only the plot-compositional structure of the original but also its genre characteristics, ultimately leading to a loss of the writer’s unique artistic style.

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The interlinear translation of a poetic text: history, typology and its role in the intercultural communication

Cited by 2 publications

References 0 publications

Translation as a Communication Strategy in Representing National Culture

Translation as a Communication Strategy in Representing National Culture

Author’s Identity and Translator’s Identity: A Clash of Positions and Creative Synthesis

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