The literary field between the state and the market

Sapiro, Gisèle

doi:10.1016/j.poetic.2003.09.001

Cited by 94 publications

(47 citation statements)

References 20 publications

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“…This expectation arises first and foremost from the high level of involvement of the Norwegian government in cultural fields. While the state, in modern times, has been seen as contributing considerably to the autonomy of cultural fields (Bourdieu, 1996;Sapiro, 2003), it is now also seen as effectively delimiting it. Previously, the state was involved in securing autonomy from the market by, for instance, formally establishing a producer's rights, regulating cultural market processes and acting as a financer of art and science (Sapiro, 2003).…”

Section: The Public Sector and Economic Rewardsmentioning

confidence: 99%

Economic rewards in the cultural upper class: The impact of social origin on income within the Norwegian field of culture

Ljunggren

2016

Poetics

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Section: The Public Sector and Economic Rewardsmentioning

confidence: 99%

Economic rewards in the cultural upper class: The impact of social origin on income within the Norwegian field of culture

Ljunggren

2016

Poetics

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“…Seiler 1983: 308) but also as a reaction to the fragility of the autonomy of the literary field between the state and the market (cf. Sapiro 2003). Accordingly, the protests against actions of the field of power concerning literature can be taken as an indicator for the degree of relative autonomy of the literary field (cf.…”

Section: The Exceptio Artis In German Law and Jurisdictionmentioning

confidence: 99%

Literary Trials

Grüttemeier¹

2016

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From the 19th century onwards, famous literary trials have caught the attention of readers, academics and the public at large. Indeed it is striking that more often than not, it was the texts of renowned writers that were dealt with by the courts, as for example Gustave Flaubert’s Madame Bovary and Charles Baudelaire’s Les Fleurs du Mal in France, James Joyce’s Ulysses and Henry Miller’s Tropic of Cancer in the US, D.H. Lawrence’s Lady Chatterley’s Lover in Great-Britain, up to the more recent trials on Klaus Mann’s Mephisto and Maxim Biller’s novel Esra in Germany. By bringing together international leading experts, Literary Trials represents the first step towards a systematic discussion of literary trials on a global scale. Beginning by first reassessing some of the most famous of these trials, it also analyses less well-known but significant literary trials. Special attention is paid to recent developments in the relationship between literature and judicature, pointing towards an increasing role for libel and defamation in the societal demarcation of what literature is, and is not, allowed to do.

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“…Não por acaso, a ascese é um componente essencial das teodiceias das vanguardas artísticas e a denúncia da "corrupção material" do setor consagrado é outro aspecto sempre presente, bem como a defesa intransigente do postulado da arte pela arte, sem nenhum compromisso com atores externos ao ofí-cio, principalmente os burgueses que pagam caro pelas obras de arte estabelecidas. A denegação do interesse material, a negação do dinheiro como escala de valor é, aqui, um dos valores mais importantes, se não o maior (Bourdieu, 1992;Sapiro, 2003).…”

Section: As Finanças Imitam a Arteunclassified

A crise financeira, a guerra cultural e as transformações do espaço econômico Brasileiro em 2009

Grün

2010

Dados

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INTRODUÇÃOP revisivelmente, a crise financeira que se anunciou no início do segundo semestre de 2008 desafiou o mundo das finanças. Será ele capaz de contê-la, tratá-la e manter sua autonomia? A sociedade foi obrigada a socorrer as instituições financeiras e outras, que se fragilizaram ao extremo por causa de problemas que são diagnosticados como "excessos", ou "cupidez" dos agentes financeiros. Como evitar que as repercussões da crise façam cancelar os privilégios materiais e morais que os "mercados" e seus participantes gozaram até a eclosão da crise? Os agentes ligados ao sistema financeiro, evidentemente, irão ressaltar as vantagens e alavancagens que ele propicia à sociedade e as benfeitorias que ele promove, enquanto os críticos irão chamar a atenção para os custos diretos e indiretos da crise e irão manejar a possível repulsa ao que será considerado como remuneração excessiva, ou mesmo exorbitante, dos financistas. Haverá certamente uma disputa mais 255

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The literary field between the state and the market

Cited by 94 publications

References 20 publications

Economic rewards in the cultural upper class: The impact of social origin on income within the Norwegian field of culture

Economic rewards in the cultural upper class: The impact of social origin on income within the Norwegian field of culture

Literary Trials

A crise financeira, a guerra cultural e as transformações do espaço econômico Brasileiro em 2009

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