2004
DOI: 10.1177/0002764204267272
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The Muse Pixeliope

Abstract: Most media literacy programs fail to take into account the dramatic nature of digitalization, focusing on analog-native media such as the newspaper or digital-native media such as computers and overlooking the process through which these forms are blending and converging. Those trends and ideas includenew digital aesthetics and new social effects caused by digitalization, both of which need to be taken into account in media literacy programs. The aesthetics of digitalization include prepurposing and repurposin… Show more

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Cited by 7 publications
(3 citation statements)
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“…So that the hope is, the learning presented is not stiff and creates a boring impression for students. This is in line with (Bichelmeyer, 2005) and (Olson & Pollard, 2004) in a book (Miarso, 2007) that learning media must be able to present the right information so that it can stimulate the senses of students.…”
Section: Introductionsupporting
confidence: 79%
“…So that the hope is, the learning presented is not stiff and creates a boring impression for students. This is in line with (Bichelmeyer, 2005) and (Olson & Pollard, 2004) in a book (Miarso, 2007) that learning media must be able to present the right information so that it can stimulate the senses of students.…”
Section: Introductionsupporting
confidence: 79%
“…Despite an increasing need for media literacy, media education programs within the curriculum are sparse and the majority that do exist do not focus on music. Rather, they often focus on newspapers and other print media (Olson & Pollard, 2004), television advertising (Draper et al, 2015), video games (Walther, Hanwinkle, & Morgenstern, 2014), social media (Soetaert, Vlieghe, & Vandermeersche, 2014), and fake news (Horn & Veermans, 2019). This is problematic as adolescents have little-to-no knowledge of the core concepts of critical media literacy when it comes to music (Robillard, 2012).…”
Section: Popular Music Media Literacy: Recommendationsmentioning
confidence: 99%
“…Essential competencies in media literacy programs (Hobbs, 2010) should include skills and constructs such as access, analysis and utilization, creation, reflection, and action. Previous research has highlighted that media education should discuss easy access to media (Olson & Pollard, 2004), balance “empowerment” and “protectionist” orientations (Sekariashih, McDermott, O’Malley, Olsen, & Scharrer, 2016), provide usage skills and content creation skills (Sekariashih et al, 2016), not discourage healthy media use or exposure (Sekariashih et al, 2016), and provide the tools needed to compare and contrast media from different cultures and countries (Hobbs, 2010). Media education should likewise provide an avenue for consumers to question the intentions and contents of media that they consume (Ey, 2014; Rodesiler, 2010) and aim to ensure that consumers do not perceive media as reflecting the real world (Robillard, 2012).…”
Section: Popular Music Media Literacy: Recommendationsmentioning
confidence: 99%