2012
DOI: 10.1159/000342126
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The Perception of Lexical Stress in German: Effects of Segmental Duration and Vowel Quality in Different Prosodic Patterns

Abstract: Several decades of research, focusing on English, Dutch and German, have set up a hierarchy of acoustic properties for cueing lexical stress. It attributes the strongest cue to criterial-level f0 change, followed by duration, but low weight to energy and to stressed-vowel spectra. This paper re-examines the established view with new data from German. In the natural productions of the German word pair Kaffee ‘coffee’ – Café ‘locality’ (with initial vs. final stress in a North German pronunciation), vowel durati… Show more

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Cited by 16 publications
(21 citation statements)
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“…Italian listeners probably constructed frames with the slot for the longer syllable in penultimate position, corresponding to the unmarked location of lexical stress. Germans are constantly re-ranking stress correlates depending on the context and rely on the complex of F0 and duration fluctuations and spectral differences of vowels in stressed and unstressed syllables (Kohler, 2012), and therefore do not associate the stable lengthening pattern in the artificial language as a correlate of stress. Instead, they probably perceive it as a phrase-final cue.…”
Section: Discussionmentioning
confidence: 99%
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“…Italian listeners probably constructed frames with the slot for the longer syllable in penultimate position, corresponding to the unmarked location of lexical stress. Germans are constantly re-ranking stress correlates depending on the context and rely on the complex of F0 and duration fluctuations and spectral differences of vowels in stressed and unstressed syllables (Kohler, 2012), and therefore do not associate the stable lengthening pattern in the artificial language as a correlate of stress. Instead, they probably perceive it as a phrase-final cue.…”
Section: Discussionmentioning
confidence: 99%
“…As for perceptual correlates, most studies indicate that the effect of acoustic lengthening on the perception of prominence can be easily overridden by pitch movements and vowel quality (Kohler, 2012). The perceptual distinction between prominent (both at word-and at phrase-levels) and non-prominent syllables is based on pitch fluctuations above a certain threshold, and duration plays a minor role in the perceptual domain (Fery, Hoerning, Pahaut, 2011;Isachenko & Schädlich, 1966).…”
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confidence: 99%
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“…When hearing an A note followed by a D note, the majority of people would not be able to identify the notes they are VOLUME 12, 2017 special issue animal music perception of pitch change is important. In stress-timed languages, including English and German, listeners often attend primarily to relative pitch to identify stress (e.g., Kohler, 2012). In tonal languages, such as Mandarin and Vietnamese, the direction of pitch change within a word can change its meaning (Kim et al, 2016).…”
Section: Relative Pitch What Is Relative Pitch?mentioning
confidence: 99%