The Poetic Autobiographies of Vasilij Aksenov

Simmons, Cynthia; Aksenov, Vasilij

doi:10.2307/309472

Cited by 2 publications

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“…A juventude turbulenta de Aksiónov, os percalços de sua formação e a prática médica afetaram singular e significativamente as relações entre literatura e história, ficção e realidade, em sua obra. Resignificar acontecimentos vividos pelo autor é um dispositivo recorrente da sua prosa, o que caracteriza, para Simmons (1996), uma poética autobiográfica: "[…] the embodiments or semi-embodiments of the writer deal with delimited questions of existence, and these usually focus on the relationship of the individual to society" 37 (p.311-312). Entretanto, é importante ressaltar que essa poética não representa uma mera reprodução dos fatos ocorridos na vida do autor.…”

Section: Uma Busca Por Um Novo Idealunclassified

Utopia e declínio: a ruptura do paradigma do herói positivo nas obras de V. Aksiónov, V. Eroféev e V. Makánin

Silva¹

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The aim of this study is to analyze the transformations and the consequential fall of the notion of the positive hero in Russian Soviet literature since the period known as the Thaw (1953-1964). For this purpose, this research will focus its attention on the construction of the characters of three significant works that represent these changes: Zviózdnyi bilet by Vassili Aksionov, Moskvá-Petuchkí by Venedíkt Erofeev and Andergraund, ili geroi nachego vremeni by Vladimir Makanin. It is intended, thus to retrace the path of this hero, that reached its peak in the "New Soviet man", to determine the conflict established in the new forms of representation fomented by these three authors, based on linguistic innovations, aesthetic construction of subjectivity and individuality, showing the confrontation and denial of the status quo, as well as the paradigm of the official literature. Add to this the fact that these innovations are associated to subversive and marginalized characters, which indicated separation or abandonment of the high ideals involved in the positive hero, by the antiauthoritarian and rebellious conduct (as we see in Aksionov); by the unconformity and vices (in Erofeev); or by the cynicism and underground behavior (in Makanin). Thereby, it hopes to contribute to the understanding of certain aspects of Russian literature related to the process of reappropriation and reconfiguration of the traumatic past, tied to the oppressive regime and the loss of an utopic project.

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Section: Uma Busca Por Um Novo Idealunclassified