2000
DOI: 10.1525/can.2000.15.1.3
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The Poetics of "Madness": Shifting Codes and Styles in the Linguistic Construction of Identity in Matlab, Bangladesh

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Cited by 12 publications
(21 citation statements)
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“…This rule is partly predicated on the associations Shuli makes between men and impurity. Whereas men are admonished not to allow droplets of urine to contaminate their clothing lest they undo ozu (Wilce 2000:11), women are more profoundly associated with impurity in Bangladeshi ideology. Second, Shuli's insistence on seeing male clients only if they are accompanied by a female relative is a reversal of the common (rural) practice of male healers expecting to see female patients accompanied by their male guardians 46 .…”
Section: Discussionmentioning
confidence: 99%
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“…This rule is partly predicated on the associations Shuli makes between men and impurity. Whereas men are admonished not to allow droplets of urine to contaminate their clothing lest they undo ozu (Wilce 2000:11), women are more profoundly associated with impurity in Bangladeshi ideology. Second, Shuli's insistence on seeing male clients only if they are accompanied by a female relative is a reversal of the common (rural) practice of male healers expecting to see female patients accompanied by their male guardians 46 .…”
Section: Discussionmentioning
confidence: 99%
“…Whereas being taken over by the spirit involves a displacement of the host's consciousness, the spirit may expand the host's personal agency by legitimating the host's voice (Lambek 1993, 2000). James Wilce's (1998, 2000) spirit medium, Shefali, is a case in point. Shefali has a reputation among local villagers for offering curative advice on Thursday nights when she enters into a trance state.…”
Section: The Firanis Agency and Resistancementioning
confidence: 99%
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“…Along a spectrum between purist ('Saudi') Islam and the more ecstatic and thaumaturgical, and sometimes seen locally as ‘mad’ (Wilce 2000). …”
Section: Notesmentioning
confidence: 99%
“…Although this topic has not received as much attention as that of ritual and performance, it certainly has not been entirely neglected. For recent work on narrative, paradox, and the construction of self in South Asia, see, especially, Desjarlais 2000, Lamb 2000, Wilce 2000. The use of narratives (songs, laments, stories) to communicate the paradoxes or ambiguities of feeling or position has been more widely discussed.…”
Section: Notesmentioning
confidence: 99%