The Potentials of the Digital Cultural Heritage: A Best Practice Example of Presentation and Use. The Digital Representation of the Hans Gross Kriminalmuseum

Biedermann, Bernadette

doi:10.1007/978-3-030-15200-0_14

Cited by 2 publications

(1 citation statement)

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“…For instance, in their recent article, Arford & Madfis [24] analyzed the museography transposition and the museological approaches chosen in the museum, following the previous investigations of Giacobini et al [25] and Garlandini & Montaldo [26]. Therefore, as outlined by Sakki et al [27], Elek [28], and Biedermann [29,30], crime collections are objects embodying multilayered meanings, ranging from their visual/material dimensions and their possible virtual representations to the visitors' perspectives during different periods.…”

Section: Introductionmentioning

confidence: 99%

Knowing Is Better Than Wondering. The Cataloging of Natural Heritage between Museum Studies and Forensic Sciences

Franza¹,

Scali²,

Garofano³

et al. 2023

Preprint

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This paper aims to analyze the role of natural heritage cataloging when criminal events challenge natural history museums. This study investigates the rhino horn thefts in Italian natural history museums from 2011 to 2015 to provide a comprehensive framework for these robberies while highlighting the weaknesses and strengths to prevent thefts and safeguard both rhino horns and natural history collections from future targeting

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Section: Introductionmentioning

confidence: 99%

Knowing Is Better Than Wondering. The Cataloging of Natural Heritage between Museum Studies and Forensic Sciences

Franza¹,

Scali²,

Garofano³

et al. 2023

Preprint

View full text Add to dashboard Cite

show abstract

Storytelling in Cultural Heritage

Roque

2022

Advances in Hospitality, Tourism, and the Services Industry

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Cultural heritage interpretation requires mediation processes connecting tangibility with intangible meanings. As a performing narrative, storytelling is an effective communication strategy in cultural and heritage tourism. In particular, digital storytelling allows to segment information and adapt it to the different audience profiles in an interactive and immersive way. Tourists become participants in the mediation process by providing their stories, while local communities enrich the curatorial discourse with their knowledge and memories about the place, culture, and heritage. Tourists and residents' co-creation, contributing to strengthening perception of local authenticity and sense of belonging, enhances the experience and engagement with the place. The literature review aims to analyse the impact of storytelling and co-creation on cultural heritage mediation and the tourist experience and community engagement.

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The Potentials of the Digital Cultural Heritage: A Best Practice Example of Presentation and Use. The Digital Representation of the Hans Gross Kriminalmuseum

Cited by 2 publications

References 6 publications

Knowing Is Better Than Wondering. The Cataloging of Natural Heritage between Museum Studies and Forensic Sciences

Knowing Is Better Than Wondering. The Cataloging of Natural Heritage between Museum Studies and Forensic Sciences

Storytelling in Cultural Heritage

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