2020
DOI: 10.1007/s12108-020-09468-8
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The Promise of John W. Meyer’s World Society Theory: “Otherhood” through the Prism of Pitirim A. Sorokin’s Integralism

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Cited by 8 publications
(5 citation statements)
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“…After R. Osborne, J. Tanner (Osborne & Tanner, 2007 ) and T. Zolghadr’s research (Zolghadr, 2013 ) decade ago, the present paper is the first attempt to propose a typology of agency manifestations in contemporary art in academic literature. The specific feature of our approach is that we use sociological theory of de-structuration and related conceptualization of agency (amongst many other interpretations of agency not only in literature on art (briefly described above), but in social theory (see Sorokin 2020 , Sorokin 2023 )). We refer to various methodological approaches and ideas in academic literature on art (formal analysis, culture-historical approach, social theory of art, the conceptions of psychology and philosophy), however, all of these are re-interpreted in line with the main theoretical argument of this article – that analysis of contemporary art as a special area for agency manifestation and expression allows to reveal such approaches, ideas and concepts that are less visible in other areas of public life – and, thus, such analysis may be integrated in mainstream research and debates in academic and expert literature on agency.…”
Section: Discussionmentioning
confidence: 99%
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“…After R. Osborne, J. Tanner (Osborne & Tanner, 2007 ) and T. Zolghadr’s research (Zolghadr, 2013 ) decade ago, the present paper is the first attempt to propose a typology of agency manifestations in contemporary art in academic literature. The specific feature of our approach is that we use sociological theory of de-structuration and related conceptualization of agency (amongst many other interpretations of agency not only in literature on art (briefly described above), but in social theory (see Sorokin 2020 , Sorokin 2023 )). We refer to various methodological approaches and ideas in academic literature on art (formal analysis, culture-historical approach, social theory of art, the conceptions of psychology and philosophy), however, all of these are re-interpreted in line with the main theoretical argument of this article – that analysis of contemporary art as a special area for agency manifestation and expression allows to reveal such approaches, ideas and concepts that are less visible in other areas of public life – and, thus, such analysis may be integrated in mainstream research and debates in academic and expert literature on agency.…”
Section: Discussionmentioning
confidence: 99%
“…Human creativity attracts increasing attention in current social theory as, perhaps, the core of individual agency (Hooper, 1998 ) and, therefore, the main factor in societal transformation (Sorokin, 2020 ). Somewhat surprisingly, the field of art, as the prime institutionally legitimate generator of novelty and creativity (Bourdieu, 2000 ), has received little attention in research and debates concerning human agency and its manifestations in recent years.…”
Section: Introduction: De-structurationmentioning
confidence: 99%
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“…W. Meyer focuses mainly on social institutions and how they are impacted and changed through many systems and dynamics including other institutions, individual actors, social norms, etc. (Sorokin, 2020). This theory relies mainly on institutional thinking and focuses on the culturally constructed and rationalized nature of the actors involved, as well, as Sorokin (2020) explains, the idea that our social structure is a "complex, multilayerset of "scripts," and "models" (p. 509).…”
Section: Discussionmentioning
confidence: 99%
“…Во-первых, идея Сорокина о микроуровневых основаниях солидарности опирается на осознанные потребности человека, в то время как большинство современных авторов трактует эти основания как неосознаваемые нейрофизиологические механизмы (за исключением ряда представителей нового институционализма [21]). Во-вторых, у Сорокина развитие солидарности на макроуровне является частью широкой социально-культурной динамики, перехода между культурными суперсистемами, а описанные подходы не рассматривают феномен солидарности в такой динамичной глобальной перспективе [45].…”
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