“…With the exception of stories where artifacts themselves are invested with high conceptual significance (Edgar Allan Poe's 1984Poe's [1844 Purloined Letter, Georges Perec's [1965] Les choses), nearly any narrative rendition of objectdirected movement as such constitutes a vehicle of defamiliarization -in the very general sense that it makes explicit the "gapped middle," or "penultimate subevent" (see Talmy 2000), i.e., a typical subgoal in a more complex sequence of actions. Classified as "minor detail" by discourse theorist Catherine Emmott (1997: 243), the sole act of, for example, pushing a door open, would usually not be included in a non-literary narrative if not implying or leading to something rather unusual, the less would it be considered a full-fledged event worth telling in daily conversation.…”