The resilience of Chinese minorities: Transformation of Chinese entrepreneurs in Lasem batik industry, Central Java, Indonesia

Mekarsari, Yesi; Jatmiko, Mochamad Iqbal

doi:10.21107/sml.v3i2.7366

Cited by 3 publications

(1 citation statement)

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“…Transformation is influenced by strengthening aspects of networking and culture. It is explained that the transformation considers the motives, colors, marketing and economy [7]. A quantitative study by Febrianti et al (2018) involves aspects of customer satisfaction in terms of product quality and price [8].…”

Section: Introductionmentioning

confidence: 99%

The Transformation of Batik in the 4.0 Industry Revolution: A Case Study in the Clothing Sector

et al. 2023

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This study explores the experiences of batik craftsmen regarding capacity transformation during the COVID-19 pandemic and the challenges of batik craftsmen to industry 4.0. A case study is defined as a research approach. Data were collected through observations and interviews with well-known batik owners (medium level) in Kulon Progo, Yogyakarta. The capacity transformation that they have carried out has become a recommendation for batik craftsmen at the micro and small levels. The data were analyzed thematically with the help of NVivo through the stages of open coding, axial coding, and generic coding. The findings of this study resulted in the concept of transformation of batik craftsmen influenced by the motivation by the owner, shifting motifs and motif innovation according to the needs, production processes and technology involvement, marketing strategies and marketing or digital marketing evaluations. The batik sector at the small and micro levels needs to pay attention to the transformation aspects of medium-level batik craftsmen.

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Section: Introductionmentioning

confidence: 99%

The Transformation of Batik in the 4.0 Industry Revolution: A Case Study in the Clothing Sector

et al. 2023

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Uses Of Natural Dyes To Develop Tiga Negeri Batik

Widyastuti

2023

MJSB

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Tiga Negeri batik began to be made in the late 18th century on the north coast of Java island but its dyeing process was made in three cities, namely Lasem, Pekalongan, and Surakarta. The term three refers not only to the number of colors but also to the combination of three cultures behind the style, namely Java, China, and Europe. This field research using qualitative methods aims to explore the possibility of developing Tiga Negeri batik through the use of natural coloring from plants. Data were collected through observation and interviews with batik artisans in Lasem, Pekalongan and Surakarta, as well as batik artisans who are also natural dye activists and who are members of the Indonesian Natural Dyers Association living in Kediri and Jombang. The result is that Tiga Negeri batik with environmentally friendly natural dyes can be achieved despite still having to use a small amount of artificial dyes, especially for the red color. This effort to return to natural dyes is mainly because this type of batik attracts the attention of international consumers in particular, and domestic consumers in general.

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