2016
DOI: 10.5782/2223-2621.2016.19.4.56
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The Revival of Chineseness as a Cultural Identity in Malaysia

Abstract: The revival of ethnic culture in the current globalizing world challenges the anthropologists and sociologists to study the multicultural societies. This phenomenon appears in urban areas of multicultural cities and it makes the ethnic background awareness lead to be a cultural identity remaking. With an ethnohistory approach and ethnographic fieldwork in 2014, this paper provides the cultural identity making and remaking process of Chineseness in Malaysia since 1970. Chineseness has contextualized the cultura… Show more

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Cited by 8 publications
(5 citation statements)
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“…Even as the status of batik as an artistic medium with cultural influence and significance waned in the art world in the 1980s, Chuah Thean Teng's grandson, Chuah Seong Leng, persisted in his batik creations, and batik paintings in the Chuah family during this period have lasted for three generations. Moreover, Chinese descendants or native-born Chinese in Malaysia shape and reshape their identity by creating a Malaysian cultural identity (Matondang, 2016). The three generations of artists in the Chuah family coincidentally correspond to the first, second and third generations of the Chinese community in Malaysia, who have experienced a new socio-culture in Malaysia, which has influenced their cultural awareness and identity, as seen in their artworks.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Even as the status of batik as an artistic medium with cultural influence and significance waned in the art world in the 1980s, Chuah Thean Teng's grandson, Chuah Seong Leng, persisted in his batik creations, and batik paintings in the Chuah family during this period have lasted for three generations. Moreover, Chinese descendants or native-born Chinese in Malaysia shape and reshape their identity by creating a Malaysian cultural identity (Matondang, 2016). The three generations of artists in the Chuah family coincidentally correspond to the first, second and third generations of the Chinese community in Malaysia, who have experienced a new socio-culture in Malaysia, which has influenced their cultural awareness and identity, as seen in their artworks.…”
Section: Literature Reviewmentioning
confidence: 99%
“…The taste may have been altered to assimilate into Malaysia's multiracial culture and the style of preparation may have been simplified to cater to the younger generation. Despite Matondang's (2016) claim that the Chinese community in Malaysia has created a hybrid culture due to globalisation, these traditional dishes are still an important identity marker for the Hakkas.…”
Section: Community-based Initiatives To Maintain Hakkamentioning
confidence: 99%
“…It noted that the ethnic identity revivals in regional and global scopes (Matondang, 2016a) bring the rites of passage to a wider context of sustainability. The ethno-regionalized the Chinese culture were manifested in the cultural sustainability.…”
Section: Chinese Identity In Muslim Dominant Countriesmentioning
confidence: 99%
“…Sustainability of migrants' cultural events needs the new explanation and theories in Social Sciences. There is now a great attention of social scientists seeking the grounded theory of the dynamic reconstructions of ethnic identity, and building a model of ethnicity through the lenses of revivals (Matondang, 2016a). Nocca (2017) argued the sustainability development included cultural heritage of each ethnic group.…”
Section: Introductionmentioning
confidence: 99%
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