“…There is much work across disciplines on the dominance of certain ways of speaking about nuclear weapons: on the standard tropes of guilt, redemption and responsibility (Peoples, 2016, Taylor et al, 2007Taylor, 2010), on prevailing themes of mystery, secrecy, potency and entelechy (Kinsella, 2005), on the highly gendered language in nuclear strategy (Cohn, 1987) and on Nukespeak (Aubrey, 1982, Chilton, 1982: Hilgartner et al, 1982Schiappa, 1989). Indeed, the very idea of saying something 'meaningful' in the face of nuclear holocaust has often been characterised in literature as impossible (Schley, 1983;Schwenger, 1986) for, as Martin Amis writes, 'everything that adapts to the nuclear reality is going to look preposterous -or ugly, or insane, or just preternaturally trivial ' (2002: 47).…”