Sovereignty and governance in contemporary Africa are hotly contested issues with important-even dire-consequences for all those interested in the continent's markets, resources, people, and welfare. This article focuses not on questions of how authority is assigned or removed, but on how it is shaped, worn, and performed for diverse audiences, particularly in the arena of "traditional governance." To do so, we juxtapose two ritual celebrations, in two distinct monarchies in southern Africa, to show contemporary traditional leaders engaged in cultural displays in their own contexts, and in contrast with each other's. First, we describe the formal enthronement of Kgosi (or King, as most Bafokeng translate it) Leruo Molotlegi of the Bafokeng Nation in South Africa in August 2003. We then follow Kgosi Leruo one year later, literally and ethnographically, on an official visit to King Mswati III of Swaziland for the traditional Reed Dance ceremony (umhlanga). Here, the Bafokeng "ethnic corporation" meets Africa's last absolute monarchy in a juxtaposition of styles, symbols, and strategies that illuminates the difference between an aesthetic of defiant African alterity and an Afromodern capitalist cosmopolitanism.In chronicling the meeting of these two men, whose roles as royals have developed under very different political and economic circumstances, we examine their disparate choices for self-presentation and political ceremony in order to show