The article presents theoretical aspects of print advertising complexity. The insights of Lithuanian and foreign authors are analysed achieving to determine the dimensions of complexity of print advertising. As a result of the research, advertising complexity can have visual, verbal and /or informational basis. Moreover, every of the three dimensions is composed of particular inherent components, which form the complexity of dimension as well as advertisement complexity. Trying to construct the foundation for further research on advertising complexity, the results of theoretical analysis are concluded with the model of advertising complexity. Keywords: advertising complexity, informational complexity, print advertising, verbal complexity, visual complexity.Straipsnyje nagrinėjamas spausdintos reklamos kompleksiškumas. Teoriniame tyrime analizuojamos šalies ir užsienio autorių įžvalgos, siekiant nustatyti dimensijas, lemiančias spausdintos reklamos kompleksišku-mą. Tyrimo pagalba atskleidžiamas reklamos kompleksiškumas, besiremiantis vaizdiniu, žodiniu ir / arba informaciniu pagrindu. Savo ruožtu kiekviena minėta dimensija yra suformuota iš konkrečių komponentų, kurie formuoja jos ir tuo pat metu bendrą reklamos kompleksiškumą. Siekiant sudaryti pagrindą tolesniems reklamos kompleksiškumo tyrimams, teorinės analizės rezultatai apibendrinami reklamos kompleksiškumo modelyje. Raktiniai žodžiai: informacinis kompleksiškumas, spausdinta reklama, reklamos kompleksiškumas, vaizdinis kompleksiškumas, žodinis kompleksiškumas.
lina PIlElIENĖ Viktorija gRIgAlIūNAITĖ
IntroductionEnormous competition has emerged in the world of advertising during the first decades of the twenty first century. All types of media are overcrowded by ads and commercials striving to capture the consumer's attention. According to R. Pieters et al. (2010), advertising needs to have "stopping power" and marketers need to know which factors influence the stopping power of their advertisements and how to assess this to improve their effectiveness. A distinctive feature of advertising, relative to other contemporary forms of human communication, is its reliance on pictures to persuade (Phillips, lina PIlElIENĖ, Viktorija gRIgAlIūNAITĖ