The secret relationship between the object and the dancer's body in the contemporary dance scene

Abstract

This theoretical-practical research had as object of study the relation between the scenic body and daily object in the contemporary dance. The investigation had a qualitative perspective and was conducted from practical studies based on theoretical references. Among the objectives, it was intended to identify the object as part of a social and cultural context, to verify its function in the artistic scope and test its interference within a creative process. The study had as an outcome the creation of a solo dance piece, as well as the analysis and theoretical discussion of the process and results achieved.