2014 14th International Workshop on Acoustic Signal Enhancement (IWAENC) 2014
DOI: 10.1109/iwaenc.2014.6953334
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The single- and multichannel audio recordings database (SMARD)

Abstract: A new single-and multichannel audio recordings database (SMARD) is presented in this paper. The database contains recordings from a box-shaped listening room for various loudspeaker and array types. The recordings were made for 48 different configurations of three different loudspeakers and four different microphone arrays. In each configuration, 20 different audio segments were played and recorded ranging from simple artificial sounds to polyphonic music. SMARD can be used for testing algorithms developed for… Show more

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Cited by 43 publications
(38 citation statements)
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“…Both simulated and real measured RIRs are included in this set. Four different databases are considered to build the real room impulse response set: MARDY [52]; REVERB challenge [53]; C4DM RIR [54]; and SMARD [55]. Only recordings from the B-format microphone taken in the Great Hall are considered within the C4DM RIR database due to an artefact in the other C4DM recordings at the 125 Hz octave band.…”
Section: B Data Setsmentioning
confidence: 99%
“…Both simulated and real measured RIRs are included in this set. Four different databases are considered to build the real room impulse response set: MARDY [52]; REVERB challenge [53]; C4DM RIR [54]; and SMARD [55]. Only recordings from the B-format microphone taken in the Great Hall are considered within the C4DM RIR database due to an artefact in the other C4DM recordings at the 125 Hz octave band.…”
Section: B Data Setsmentioning
confidence: 99%
“…The RIRs were taken from three publicly available databases, namely MARDY [45], SMARD [46], and MIRD [47]. A fourth database of 24 low-frequency RIRs, called SUBRIR [48], was used separately to evaluate the modeling performance of the algorithm in the modal frequency region, as will be discussed later in this section.…”
Section: Simulation Resultsmentioning
confidence: 99%
“…outside the frequency range of the subwoofers. The code for generating the sweep signal and its inverse was adapted from the code provided in [3].…”
Section: The Exponential Sine-sweep (Ess) Measurement Technique: a Sumentioning
confidence: 99%
“…of post-processed RIRs, measured with subwoofer B and microphone D, for which a low-pass filter with cut-off frequency at 1 kHz and 100 Hz roll-off has been used, is available for download 3 . An example of the result of averaging is given in Figure 9, comparing the spectrogram and magnitude response of the RIR retrieved from a single recording 3 https://lirias.kuleuven.be/bitstream/123456789/572970/ 3/SUBRIR SpB MicD RIRs.zip (password: subrir2016) (top) and after synchronous averaging over 10 recordings (bottom), with source-receiver position pair (p, q) = (3, 5), and with subwoofer B and microphone D. From the magnitude responses, computed over the causal part of the RIR, it can be seen how averaging is able to reduce the noise level by at least 10 dB, including the very LF disturbance already noticed in Figure 7. From the spectrograms, it can be observed how the reduction in the noise level makes the nonlinear distortions more visible; the fact that the impulsive occurrences of the rub & buzz effect are not reduced in level after averaging, is a confirmation of the deterministic nature of these events.…”
Section: Post-processingmentioning
confidence: 99%
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