Since the 1990s, the concept of "recovery in/from serious mental health problems" has been iterated internationally as the new paradigm in mental health policy and practice.A constitutive element of recovery discourse is a struggle over what defines a "good" life-in-time, yet temporalities of recovery remain under-investigated. This paper offers an empirical exploration of recovery enacted in an NHS "arts for mental health" service called Create. I present an analysis of several intersecting temporalities at play withinCreate through the lens of one service-user's story. The temporal orderings of the situated aesthetic care practices at Create encapsulate competing articulations of recovery, hope, and aspiration. These different temporalities enact different subjectivities, revealing recovery to be a set of socio-political struggles over what lives are deemed liveable in the context of global neoliberal capitalism.