2016
DOI: 10.1163/9789004314825
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The Sung Home. Narrative, Morality, and the Kurdish Nation

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Cited by 56 publications
(8 citation statements)
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“…In a region where matters of language, literature, culture and history are so readily politicised and permanently contested, and in a region where literacy and orality interact in complex ways with linguistic domination and marginalisation, ethnographic and philological methods may benefit each other, -if they can be strictly distinguished at all. For example, in the light of the particular (and rapidly changing) relation between oral and literate practices in Kurdistan, and of the public status of poets and other literati in Kurdish society, the study of the production and consumption of literature requires ethnographic fieldwork as much as methods strictly associated with the humanities (see Hamelink, 2016;Bush, 2017).…”
Section: Guney Yildiz University Of Cambridge Ukmentioning
confidence: 99%
“…In a region where matters of language, literature, culture and history are so readily politicised and permanently contested, and in a region where literacy and orality interact in complex ways with linguistic domination and marginalisation, ethnographic and philological methods may benefit each other, -if they can be strictly distinguished at all. For example, in the light of the particular (and rapidly changing) relation between oral and literate practices in Kurdistan, and of the public status of poets and other literati in Kurdish society, the study of the production and consumption of literature requires ethnographic fieldwork as much as methods strictly associated with the humanities (see Hamelink, 2016;Bush, 2017).…”
Section: Guney Yildiz University Of Cambridge Ukmentioning
confidence: 99%
“…These long-standing oral traditions tend to depict local events rather than overarching national history. They testify to a social world before the onset of nationalist modernity, in which close kinship networks dominated the flow of everyday life while imperial states and other transregional actors remained distant, though powerful, external actors (Hamelink 2016: 60–65). Dengbêjs do not only recite long-transmitted kilams , however, but also compose new ones that bear witness to and comment upon current events and personal experiences.…”
Section: Valorizing Kurdish Historymentioning
confidence: 99%
“…In Kurdish studies, some authors have argued for a special focus on Kurdish women's experiences during war and post-war situations, as women and men have played different roles and were/are differently victimised and targeted in war and conflict in Kurdistan (see for example Begikhani, forthcoming, 2003Begikhani, forthcoming, , 2015Hamelink, 2016;Minoo, 2013;King, 2013;Weiss, 2012Weiss, , 2010Mojab 2001). Also, because women are generally much less situated in positions of power, their relative powerlessness compared to men "leads to differences in their ability to cope with risks and manage their lives" (Hardi, 2011: 4).…”
Section: Women and War: A Feminist Approachmentioning
confidence: 99%
“…"Paradoxically, [this] peculiar victim psychology has the power to liberate women by relating their life conditions to the state through rights discourses" (Gökalp, 2010: 565). Hamelink (2016) argues that Kurdish female dengbêjs (singer-poets) were able to mobilise PKK discourse about the "oppressed" status of Kurdish women's lives, and the need for women's liberation, to change their own position and become more visible and public as female performers. These examples show how many Kurdish women have adopted and mobilised political discourses to attempt to improve their position in their local environment, to make themselves heard, and to convince male relatives of the justness of their demands.…”
Section: Women Agency and Victimhoodmentioning
confidence: 99%