2020
DOI: 10.1177/0163443720972318
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The virtual stages of hate: Using Goffman’s work to conceptualise the motivations for online hate

Abstract: Cyber hate is increasing. Every 30 seconds, a woman, somewhere, receives an abusive comment on Twitter (Amnesty International). And, it is estimated that around 20% of college students in the United States have been cyber-bullied. This article explores the motivational factors encouraging online hate and abuse. It will draw on Goffman’s seminal work, The Presentation of the Self in Everyday Life, to critically understand online communication, interaction and behaviour. It will define virtual frontstages and vi… Show more

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Cited by 50 publications
(52 citation statements)
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“…Online hate (i.e., cyberhate, online hate speech) is an expression of prejudice and hatred against a group of people based on a certain characteristic-e.g., religion, ethnic background, gender identity. Thus, even when targeting individuals, online hate can elicit harm upon a community [ 7 , 8 ].…”
Section: Introductionmentioning
confidence: 99%
“…Online hate (i.e., cyberhate, online hate speech) is an expression of prejudice and hatred against a group of people based on a certain characteristic-e.g., religion, ethnic background, gender identity. Thus, even when targeting individuals, online hate can elicit harm upon a community [ 7 , 8 ].…”
Section: Introductionmentioning
confidence: 99%
“…Although Goffman’s (1959) theory initially referred only to face-to-face interactions with co-present actors, research has extended it to online (Kilvington, 2020) and organisational settings (Manning, 2008; Whittle et al., 2020). As such, we can observe how organisations conceal processes and information in their ‘backstage’, while performing impression management to shape idealised self-presentations on the ‘frontstage’ (Ringel, 2019).…”
Section: Organisational Secrecy and Invisible Workmentioning
confidence: 99%
“…They propose to extend the established design approach for the user as an operator of a system by an additional focus on the user as a self-observer and as a performer for others. The concept of front and back regions has also been adopted in HCI, and discussed e.g., with smartphone usage (hiding and presenting certain information [4]), as well as social media [16,17].…”
Section: The Dramaturgical Modelmentioning
confidence: 99%