In this paper we discuss how an innovative audio-visual project was adopted to foster active, rather than declarative learning, in critical international relations. Firstly, we explore the aesthetic turn in IR, to contrast this with forms of representation that have dominated International Relations scholarship. Representation is the 'very location of politics' (Bleiker, 2001: 510). Therefore, to confront this and also to provide students with the opportunity to explore their own insights through aesthetic ad non-written formats, we describe secondly, how student groups were asked to record short audio or video projects. Thirdly, we explain how these projects are understood to be deeply embedded in social science methodologies, citing inspiration from The Sociological 2 Imagination (C Wright Mills, 1959) as a way to counterbalance a 'marketised' slant in HE, in a global economy where students are often encouraged to consume, rather than produce knowledge. Finally, we draw conclusions in terms of deeper forms of student engagement leading to new ways of thinking and presenting new skills and new connections between theory and practice.