Metaphors are undoubtedly contextual phenomena. We often creatively employ them to say one thing and mean another by exploiting the literal meaning of the words used. However, metaphors are not simply parasitic on literal meaning. Rather, they pull from ways interlocutors, readers, and audiences understand context, and they tap into our shared knowledge of the world and one another's mutual beliefs. In this thesis, I propose a pragmatic account of metaphor that treats metaphorical meaning as the result of recovering the speaker's intended meaning. I defend a broadly Gricean account of metaphorical content from more recent accounts that take metaphorical meaning to be directly, explicitly, and automatically interpreted by an audience. A related concern with my view is whether metaphors are distinctively unique from other forms of linguistic communication. According to recent philosophers of language, metaphors and their literal counterparts exploit the same basic cognitive processes. I disagree with this conclusion. I promote a position that treats metaphor on par with poetic imaginings that exploit characterizations (roughly, stereotypes) to novel ends. This makes my treatment of metaphor importantly different from contemporary treatments of it that reduce metaphor to 'literally loose' talk. I develop a framework of metaphoric communication that is based on Korta and Perry's (2011b) framework developed at length in "Critical Pragmatics". The theoretical utility offered by Korta and Perry's framework is made explicit throughout, but becomes especially important in Part II where I undertake to show how their framework allows me to subsume the nuances of communicating metaphorically within a broader theory of communication. iii Preface My love for the topic of metaphor grew from a rather peculiar place. During the middle of my undergraduate degree I was experimenting with 'continental philosophy'. In a seminar on personal identity and recognition, I was introduced to the writings of Paul Ricoeur. Intrigued by his work on narratology and narrative identity, I impulsively purchased The Rule of Metaphor because I was curious to know what prompted Ricoeur to devote eight long studies-and numerous other essays-to understanding what I thought was a rhetorical non-issue. Already a fan of Ricoeur, I was immediately captivated by the ferocity he poured into his scholarship. These powers are evidenced by his ability to read, assimilate, elucidate, and historicize central issues surrounding nearly any topic he touched. Reading Ricoeur's study on metaphor put into relief just what is at stake, philosophically speaking: It became increasingly clear to me that there was in fact a 'question of metaphor'. We use metaphors every day in meaningful ways. But an interpretation can be meaningful, and yet be incorrect-or deemed 'false'. On a beautiful summer day, someone may utter: "The sky is weeping". You would understand their statement, but would probably consider it false. Then again, a literal-minded person might consider the sente...