1989
DOI: 10.1080/00438243.1989.9980096
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Tich Matek: The technology of Luo pottery production and the definition of ceramic style

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Cited by 86 publications
(44 citation statements)
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“…Many of the critical voices now emerging in eastern Africa reference ethnoarchaeological research in support of this conundrum (e.g., Karega-Mũnene 2003;Lane 2004; see also Wandibba 2003); since Hodder's (1982) pioneering work, it is evident that artefacts are not passive objects mutely reflecting a defined identity-they are active agents existing in a complex network of competing social, economic and political influences. Dietler and Herbich (1989 for example, working in the Great Lakes themselves, have demonstrated how ceramic style is an indicator not of communal, or even linguistic identity, but rather is a reflection of intra-household discourse. The simple equation of pots and people no longer stands.…”
mentioning
confidence: 97%
“…Many of the critical voices now emerging in eastern Africa reference ethnoarchaeological research in support of this conundrum (e.g., Karega-Mũnene 2003;Lane 2004; see also Wandibba 2003); since Hodder's (1982) pioneering work, it is evident that artefacts are not passive objects mutely reflecting a defined identity-they are active agents existing in a complex network of competing social, economic and political influences. Dietler and Herbich (1989 for example, working in the Great Lakes themselves, have demonstrated how ceramic style is an indicator not of communal, or even linguistic identity, but rather is a reflection of intra-household discourse. The simple equation of pots and people no longer stands.…”
mentioning
confidence: 97%
“…Although the use of ceramic decorations as a sole form of analytical criterion has been criticized as a poor technique by which a cultural seriation is constructed (Dietler and Herbich, 1989;Hodder, 1977), its usefulness as a method of culture historical reconstruction in conjunction with other data is also widely understood (Bower et al, 1977;David, 1982;Garlake, 1968;Hall, 1984;Hole, 1984;Kingery, 1981;Mercader et al, 2000;Ndong, 2002;Rice, 1987;Soper, 1989;Wandibba, 1980Wandibba, , 1990. I present an interpretation of East African ceramic decorations below that is independent of other forms of ceramic analysis (such as attribute analysis) only to demonstrate the continuity of certain cultural ideas through time and space as represented through artistic expression on pottery.…”
Section: Ceramic Motifs As An Indicator Of Prehistoric Kin-based Allimentioning
confidence: 99%
“…This subfield blossomed in Africa in the 1980s, providing ethnographic models of material culture use that could be applied to the archaeological record (Hodder 1982;Schmidt 1983). However, like the topics of urbanism or food and craft production, early ethnoarchaeology in Africa was aimed primarily at broader theoretical concerns, even while local histories were drawn out (Hodder 1982;Herbich 1987;Dietler & Herbich 1989; see also David & Kramer 2001). For example, ethnoarchaeology was crucial to the symbolic interpretations of both iron production in the Early Iron Age (Schmidt 1978) and the use of pottery (David et al 1988).…”
Section: Archaeology and Historical Linguistics: A Shared Pastmentioning
confidence: 99%