The objective of this paper is to explore how different artistic practices work to alter the distribution of the senses, and consequently, the disposition, processes and practices of the situated surplus of urban places. While it has been acknowledged that artistic performances in public space generate specific appropriations of the urban environment, the role that specific sensorial channels play in these events is still underexplored. Drawing upon fieldwork conducted between 2012 and 2016 in Chiado, our study highlights how dance, music and architecture stimulate, invoke and highlight specific senses while rendering others unnoticed. This causes shifts in bodily rhythms, mood and attention to details in urban space. As certain corporeal isles are enacted through contemplation, the experience and appropriation of urban space is subject to change. A central tension in this matter is the fluctuation between visual and sonic spatialities.