1977
DOI: 10.2307/468297
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Toward an Oral Poetics

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Cited by 61 publications
(19 citation statements)
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“…The pace of narration may increase, slow down, or even pause momentarily. Indeed, pauses are one of the most characteristic features of oral narrative, and vary in length: Tedlock's (1971, p. 127) analysis of tape-recorded Zuñi oral narratives found that pauses ranged from four-tenths of a second to 3 s. Pauses are typically used to break long sentences into smaller units, but are also used for emphasis (Tedlock, 1977). …”
Section: Use Of Ostension In Oral Storytellingmentioning
confidence: 99%
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“…The pace of narration may increase, slow down, or even pause momentarily. Indeed, pauses are one of the most characteristic features of oral narrative, and vary in length: Tedlock's (1971, p. 127) analysis of tape-recorded Zuñi oral narratives found that pauses ranged from four-tenths of a second to 3 s. Pauses are typically used to break long sentences into smaller units, but are also used for emphasis (Tedlock, 1977). …”
Section: Use Of Ostension In Oral Storytellingmentioning
confidence: 99%
“…Like infant-directed speech and action, oral storytelling is also characterized by the use of redundancy: patterned repetition of words, phrases, and episodes is one of the most pervasive features of performed narrative (Scheub, 1977; Tedlock, 1977). One manifestation of this phenomenon is the use of formulaic expressions (Lord, 1960) that are rarely if ever used in everyday speech (Tedlock, 1971).…”
Section: Use Of Ostension In Oral Storytellingmentioning
confidence: 99%
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“…As Tedlock points out, "An oral poetics that begins with living oral tradition is by its nature participatory." 18 Throughout the story, listeners are expected to respond vocally. At the end of every complete sentence, Hopi listeners encourage the teller with the short expletive "oh," indicating their continued attention.…”
Section: Storytelling Rolesmentioning
confidence: 99%