2019
DOI: 10.2218/thj.v1.2019.4186
|View full text |Cite
|
Sign up to set email alerts
|

Towards a historical anthropology of Upland Laos

Abstract: When travelling across Houaphan province in upland north-eastern Laos in 2010, I took with me a copy of James Scott’s (2009) Art of Not Being Governed. This thought-provoking book offered fresh perspectives to exploring this ‘Zomian’ landscape and its ethnolinguistically diverse population. Indeed a historical frontier zone of refuge and opportunity, Houaphan’s forested mountains always constituted an escape option for people facing (Siamese, Vietnamese, lowland Lao, or French colonial) imperial interventions … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2021
2021
2024
2024

Publication Types

Select...
4

Relationship

1
3

Authors

Journals

citations
Cited by 4 publications
(1 citation statement)
references
References 13 publications
0
1
0
Order By: Relevance
“…The Phong share this trajectory – especially the close inter‐ethnic relationship with Lao and/or Tai communities – with the Phunoy of northern Laos, as studied by French anthropologist Vanina Bouté (2018, this issue). Neither Phong nor Phunoy fit into James Scott’s (2009) image of the ‘anarchic Zomian’ (Tappe 2019). Rather, they exemplify a history of contact, exchange, cultural borrowings and mimetic appropriation – but not complete absorption into the Tai‐Lao cultural realm (for a related study on the Khmu, see Évrard 2019).…”
Section: The Phong and The Historical ‘Tai–kha’ Relationmentioning
confidence: 99%
“…The Phong share this trajectory – especially the close inter‐ethnic relationship with Lao and/or Tai communities – with the Phunoy of northern Laos, as studied by French anthropologist Vanina Bouté (2018, this issue). Neither Phong nor Phunoy fit into James Scott’s (2009) image of the ‘anarchic Zomian’ (Tappe 2019). Rather, they exemplify a history of contact, exchange, cultural borrowings and mimetic appropriation – but not complete absorption into the Tai‐Lao cultural realm (for a related study on the Khmu, see Évrard 2019).…”
Section: The Phong and The Historical ‘Tai–kha’ Relationmentioning
confidence: 99%