Towards a Sustainable Crowdsourced Sound Heritage Archive by Public Participation

Yelmi, Pinar; Kuşcu, Hüseyin; Yantaç, Asım Evren

doi:10.1145/2971485.2971492

Cited by 16 publications

(13 citation statements)

References 4 publications

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“…If deeper assessments of the impact of CH are to be investigated, it is expected that new qualitative methods of inquiry will be invented, transferred or employed in the evaluation of interactive systems. Some design-oriented approaches have provided such attempts like the works of Yelmi et al (2016) who employed workshops to assess aspects of their soundscape installation. Notably there is a grand challenge when employing qualitative and generative methods in evaluation: that of balancing quality of findings with an evidence-based approach.…”

Section: On the Evaluation Approaches And Methods Employedmentioning

confidence: 99%

Empirical Evaluations of Interactive Systems in Cultural Heritage

Koutsabasis

2017

International Journal of Computational Methods in Heritage Science

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An increasing number of interactive systems aim to enhance the user experience (UX) of visitors at museums, archaeological places and cultural sites. This paper presents a review of empirical evaluations of interactive systems in cultural heritage (CH) based on a systematically selected sample of 53 publications from 2012-2016. Empirical evaluations examine the degree an interactive system satisfies user goals and expectations and are inherently complex activities that require careful planning and selection of methods. The review reports on (a) interactive systems of CH in terms of: purpose, technology, cultural content and location of interaction and (b) methods of empirical evaluation in terms of: dimensions of UX, general approach, data collection and participants. The paper provides discussion, critique and outlook on issues including: extending the evaluation dimensions towards the cultural value and the essence of interactivity; placing more consideration on CH professionals; identifying new evaluation methods that balance qualitative results to evidence-based approaches.

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Section: On the Evaluation Approaches And Methods Employedmentioning

confidence: 99%

Empirical Evaluations of Interactive Systems in Cultural Heritage

Koutsabasis

2017

International Journal of Computational Methods in Heritage Science

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“…12 Isztambulban a nagyvárosi hangokat kezdték összegyűjteni a közösség segítségével. 13 17 Az OSZK webarchiválási munkacsoportja 2017 áprilisától dolgozik a magyar webarchívum megteremtésén. A projektről a http://mekosztaly.oszk.hu/mia oldalon lehet részletesebben olvasni; ugyanitt a "Javaslat" menüpontnál bárki ajánlhat hosszú távú megőrzésre javasolt magyar webhelyet.…”

Section: Amikor Közösség Szerveződik a Kulturális öRökség Megőrzéséheunclassified

Webarchiválás és crowdsourcing: hogyan segíthetjük a közgyűjtemények internetarchiváló tevékenységét?

Mátrai¹

2020

Információközvetítés És Közösségépítés – Multifunkciós Könyvtári Hálózatok

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“…This approach is attuned to the specificity of a local heritage but can also take advantage of already collected materials from elsewhere. Yelmi et al [20] evaluated soundscapes as an intangible cultural heritage element and introduced the Soundsslike Project; a crowdsourced online sound archive which invites people to record symbolic urban sounds and upload them to the online sound archive. This online platform was built and displayed in an exhibition by means of an interactive table top interface to learn more from users and contributors, and to enrich the archive content by raising public awareness of urban sounds.…”

Section: Distributed Curationmentioning

confidence: 99%

PLUGGY: A Pluggable Social Platform for Cultural Heritage Awareness and Participation

Lim

Frangakis

Molina-Tanco

et al. 2018

Lecture Notes in Computer Science

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One of the preconditions for genuine sustainability is a heritage that is present anywhere and anytime in everyday life. We present PLUGGY, a Pluggable Social Platform for Heritage Awareness and Participation. PLUGGY will address the need of society to be actively involved in cultural heritage activities, not only as an observer but also as a creator and a major influencing factor. With PLUGGY, we aim to bridge this gap by providing the tools needed to allow users to share their local knowledge and everyday experience with others, together with the contribution of cultural institutions. Users will be able to build extensive networks around a common area of interest, connecting the past, the present and the future. It will be powered by its users and puts people's values, aspirations and needs first. Users of PLUGGY will be the providers of information about cultural heritage in the everyday and ordinary, real life. Through its social platform and by using its innovative curation tools, designed to solely focus on a niche area in social media, citizens will be able to act as skilled storytellers by creating fascinating personalised stories and share them through social networking with friends, associates and professionals. In this paper, we describe a structured formative and summative evaluative approach of PLUGGY's core concepts, which results will be used to inform and improve its design.

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Towards a Sustainable Crowdsourced Sound Heritage Archive by Public Participation

Cited by 16 publications

References 4 publications

Empirical Evaluations of Interactive Systems in Cultural Heritage

Empirical Evaluations of Interactive Systems in Cultural Heritage

Webarchiválás és crowdsourcing: hogyan segíthetjük a közgyűjtemények internetarchiváló tevékenységét?

PLUGGY: A Pluggable Social Platform for Cultural Heritage Awareness and Participation

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