Transdisciplina y enfermería, un recorrido por el estado del arte del 2000 al 2015

Escobar, Ricardo Antonio; Escobar, María Beatriz Escobar

doi:10.18041/1794-5232/cultrua.2016v13n1.2135

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“…This new possibility for popular art should not be understood as a mere deconstruction of the binary distinctions between high culture and popular culture, but rather, as Ticio Escobar proposes, as differences evolving from specific historic processes that transpired. 71…”

Section: Discussionmentioning

confidence: 99%

Latin American Popular Art in a Museum: How Things Become Art

Sanfuentes

2019

10.14746/aq

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In 1943 when Universidad de Chile celebrated its centennial all Latin American nations were invited to participate in the commemorative events. One of the most interesting was the Exhibition of American Popular Art at the Museo Nacional de Bellas Artes(National Museum of Fine Arts) which brought together the objects from participating countries. The Universidad de Chile´s invitation asked countries to send functional objects that were part of the people´s daily lives. The exhibition was very successful, critically acclaimed, and highly attended. But above all, it planted the seed for what was to become the Museo de Artes Populares Americanas(American Popular Art Museum) functioning to this day.In this essay I would like to highlight a series of contexts, actors and institutions behind the phenomena: specific incarnations of Pan Americanism during the Second World War; the Latin American perspective in general and in particular, the Chilean perspective of the university´s role in society; the new value of Latin American arts since the 20thcentury. These contexts and events are useful to shed light on the “social life” of the objects that were part of the exhibition and they also help us to understand a dynamic definition of art which emerged from the recognition of craft in use as worthy of exhibition in a National Fine Arts Museum and then to remain at the permanent collection of a popular art museum.The radical importance of this essay is that it constitutes an example of a thing which represents not just art but also other values. In a midst of the World War II, Latin American Popular Art represented peace. The objects of the exhibition were seen as incarnations of Latin American cultural identity and historiography has gone on to view Latin American culture as a specific contribution to peace effort.

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Section: Discussionmentioning

confidence: 99%

Latin American Popular Art in a Museum: How Things Become Art

Sanfuentes

2019

10.14746/aq

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“…Según [1], existen varios eventos no planeados en las variables para la operación del sistema de distribución denominadas fallas, dichas fallas pueden alterar el equilibrio del sistema eléctrico [2], interrumpiendo la continuidad del servicio eléctrico, las mismas que pueden causar grandes pérdidas tanto a la distribuidora como a los clientes, ya sean estos de tipo residencial, comercial, industrial, entre otros [3].…”

Section: Introductionunclassified

Ubicación Óptima de Reconectadores en el Alimentador Primario “G” de la Subestación Cristianía Perteneciente a la Empresa Eléctrica Quito

Jiménez

Caiza

Sisa

2023

INGENIO

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Actualmente, el consumidor final es más exigente con la calidad del servicio eléctrico, esto conlleva que se deba recurrir a equipos eficientes o los elementos que mejoren el servicio eléctrico, se debe introducir cada vez equipos de protección y maniobra en las redes eléctricas para reducir el número de usuarios afectados. Existen varias alternativas para mejorar la continuidad de los servicios eléctricos, una de ellas es la denominada reconexión de servicio eléctrico, ya que se ha observado en varios estudios que el 85% de los errores de las redes de distribución no son permanente, después de un tiempo determinando se ha omitido el error, es decir, se despeja la falla. Con el objetivo de garantizar la continuidad y confiabilidad del suministro de energía eléctrica hacia los usuarios, en el presente trabajo analiza la ubicación óptima de equipos reconectadores en el sistema de distribución eléctrica.

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Transdisciplina y enfermería, un recorrido por el estado del arte del 2000 al 2015

Cited by 2 publications

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Latin American Popular Art in a Museum: How Things Become Art

Latin American Popular Art in a Museum: How Things Become Art

Ubicación Óptima de Reconectadores en el Alimentador Primario “G” de la Subestación Cristianía Perteneciente a la Empresa Eléctrica Quito

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