Um Novo Sentido: A Releitura Artística De Crave Como Nova Possibilidade Entre Enunciadores E Interpretantes

Abstract

O estudo discute a relação entre os processos comunicacionais e as interlocutivas possibilidades de interpretação a partir da mudança de meio de manifestação onde a arte está inserida, questionando a autonomia da releitura como uma obra autônoma. Sob as discussões de Charaudeau (2009), Lehmann (1999), Bauman (2002) e Linda Hutcheon (2006), são questionadas as possibilidades de interpretação da obra pós-dramática Crave, de Sarah Kane, e uma releitura desta – elaborada em formato de vídeo performance. Foi possível perceber o protagonismo do sujeito nas diferentes situações e contextos como enunciador/comunicante, e destinatário/interpretante.Palavras-chave: Discurso. Comunicação. Teatro pós-dramático. Releitura.ABSTRACTThe study discusses the relationship between the communicational processes and the interlocutive possibilities of interpretation from the change of medium where art is inserted, questioning the autonomy of new version as an autonomous work. In the discussions of Charaudeau (2009), Lehmann (1999), Bauman (2002) and Linda Hutcheon (2006), the possibilities of interpretation of Sarah Kane’s post-dramatic work Crave are questioned and a re-reading of this one ff video performance. It was possible to see the protagonism of the person in different situations and contexts as statement and interpreter.Keywords: Speech. Communication. Post-dramatic. New Version.

Apontamentos sobre os Estudos Culturais no Brasil

“…The researcher, linked with the Postgraduate Program in Communication of UFSM, has recently published studies about the representations of women and gaucho style in local media Lisboa Filho, 2017a;2017b), the multiple meanings involving the gaucho border (Lisboa Filho; Pozza, 2017), issues related to distinct media products (such as Brazilian reality shows and the journalistic discourse), production of gaucho youth identities in multiple media outlets, etc. Lisboa Filho, with the collaboration of Baptista, sought to compile investigations conducted in Brazil and Portugal into an e-book entitled Estudos Culturais e interfaces: objetos, metodologias e desenhos de investigação Baptista, 2016 (Mentz;Fioravante;, media and consumer culture Constante;Horlle;Schmidt, 2016), that is, a border zone involving the fields of Social Communication, Cultural Studies, and Education. On the other hand, the studies developed by Sanches (2011) and colleagues are focused on very different aspects of contemporary culture, such as the phenomenon of cosplay, urban graffiti, culture gamification, Brazilian reality shows, American TV shows, etc.…”