2017
DOI: 10.3384/cu.2000.1525.1683263
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(Un-)veiling the west: Burkini-gate, Princess Hijab and dressing as struggle for postsecular integration

Abstract: The ban of the burkini in the summer of 2016 in France is the latest stage in a long political history, where the French depreciation or fear of the veil, and of Islam, has come to play a more significant role since the end of the cold war. Unveiling female bodies at the beach in Nice expose conditioned values of the French republic. In this context, drawing black veils on public advertisements becomes a performative act commenting on consumerism, religion, secularity, and the imagined Muslim woman. In this ar… Show more

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Cited by 13 publications
(10 citation statements)
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“…When examining ‘Western’ discourses 2 on ‘the Muslim woman’, there is a strong and problematic focus on the headscarf as a sign of oppression. Wearing the headscarf is frequently – and often simultaneously – associated with a ‘rigid’ Islam that constrains the personal liberty of Muslim women (see for instance Ahmed, 1992; Berg and Lundahl, 2016; Macdonald, 2006: 8; Razack, 2004: 130; Rommelspacher, 2009). Thus, Muslim women who wear the headscarf are represented as living within ‘traditional’ circumstances characterised by an inflexible set of ‘patriarchal’ and ‘conservative’ rules – hence are constructed as ‘backward’ (Bilge, 2010: 8; Macdonald, 2006: 8; Morey and Yaqin, 2011: 1–17; see also Vintges, 2012: 284).…”
Section: ‘Western’ Representations Of the Headscarf: Wearing The Headmentioning
confidence: 99%
“…When examining ‘Western’ discourses 2 on ‘the Muslim woman’, there is a strong and problematic focus on the headscarf as a sign of oppression. Wearing the headscarf is frequently – and often simultaneously – associated with a ‘rigid’ Islam that constrains the personal liberty of Muslim women (see for instance Ahmed, 1992; Berg and Lundahl, 2016; Macdonald, 2006: 8; Razack, 2004: 130; Rommelspacher, 2009). Thus, Muslim women who wear the headscarf are represented as living within ‘traditional’ circumstances characterised by an inflexible set of ‘patriarchal’ and ‘conservative’ rules – hence are constructed as ‘backward’ (Bilge, 2010: 8; Macdonald, 2006: 8; Morey and Yaqin, 2011: 1–17; see also Vintges, 2012: 284).…”
Section: ‘Western’ Representations Of the Headscarf: Wearing The Headmentioning
confidence: 99%
“…The local authorities issuing the ban on the burkini from the beach, before its cancellation by the Conseil d'Etat, thus articulated the argument of threat to public order in their decision (Berg and Lundah 2016). Following this line of reasoning, signs of religious visibility such as the veil or the burkini become thus equated, cognitively, along with the same continuum as terrorism (Blanc, Loisel, andSherrer 2005: Berg andLundahl 2016). In parallel, 55 percent of Europeans wish to suspend the entry of Muslim immigrants into Europe (Goodwin, Raines, and Cutts 2017).…”
Section: Securitization and Identitymentioning
confidence: 99%
“…When the hijab is perceived as a threat, the assumptions underlying its significance for non-Muslim Europeans navigate between viewing it as the symbol of oppression of women, a sign of support for Islamic extremism, an assertion of hatred for Western society or a sign of backwardness, among others. In sum, depictions made in the purest Orientalist fashion, ignoring change (Berg and Lundahl 2016). Orientalist and neo-colonial discourses reactivating binary readings further deprive Muslim women of their agency (O'Brien 2016).…”
Section: Thesocialsciencescommentioning
confidence: 99%
“…In contrast, the traditional and the religious have been equated with female oppression, patriarchy and hierarchy (Spivak, 1999; Giorgi, 2016). The first dyad is predominantly theorized as a space of affirmation, female subjectivity, agency and autonomy, whereas the second dyad is primarily conceived as a space of negativity, antithetical to female subjectivity, agency and autonomy (Mahmood, 2005; Braidotti, 2008; Bracke, 2008; Reilly, 2011; Aune, 2015; Berg and Lundahl, 2016).…”
Section: Introductionmentioning
confidence: 99%