2018
DOI: 10.1007/s13412-018-0526-1
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Understanding China’s environmental challenges: lessons from documentaries

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Cited by 6 publications
(4 citation statements)
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“…However, the Chinese Communist Party (CCP) restricted or censored many environmental films, including Under the Dome , on the basis of their “foreign production, collective action potential, or excessive popularity” (Liu et al., 2018, 151). Other counter‐hegemonic documentaries met the same fate.…”
Section: From Documentaries To Docudramasmentioning
confidence: 99%
“…However, the Chinese Communist Party (CCP) restricted or censored many environmental films, including Under the Dome , on the basis of their “foreign production, collective action potential, or excessive popularity” (Liu et al., 2018, 151). Other counter‐hegemonic documentaries met the same fate.…”
Section: From Documentaries To Docudramasmentioning
confidence: 99%
“…Nature documentaries provide mediated experience of nature and have been shown to promote conservation awareness and efforts among the general public (McCormack et al, 2021). For example, nature documentaries increase social support for conservation organisations through donation and volunteering (Jones et al, 2019), drive policy change to protect wildlife and nature (Aitchison, Aitchison, & Devas, 2021;Boissat, Thomas-Walters, & Veríssimo, 2021), and promote the end of illegal wildlife trade (Liu, Huang, & Ma, 2018) and irresponsible wildlife shows at theme parks (Boissat, Thomas-Walters, & Veríssimo, 2021). Compared to other conventional ways of experiencing nature in urban settings, such as visiting parks or zoos, nature documentaries have two key differences.…”
Section: Introductionmentioning
confidence: 99%
“…Most of the earlier studies are descriptive in nature (Chu, 2017;Lv, 2018), or lack a focus on conservation as a main theme. For example, some studies focus only on specific types of nature documentaries, such as environmental films (Liu et al, 2018), while others focus on film aesthetics (Ji, 2017;Deng, 2018), the art of translation (Wang, 2018), or culture transmission (Yang & Zhao, 2011). There have been limited attempts to date to conduct a large-scale and in-depth content analysis of nature documentaries in China, particularly in terms of their potential to promote both national and global conservation awareness.…”
Section: Introductionmentioning
confidence: 99%
“…In recent years, China's eco-cinema as an independent documentary outfit has generated greater attention in the humanities with regards to the achievement of variety via multimedia documentaries (Cui, 2017). Particularly, environmental documentary in China offers students the opportunity to understand environmental challenges as well as offering voices to the marginalized groups and emotional connections to further motivate learning interests among students (Liu et al, 2019). To this end, given the evolution of news and information dissemination, credibility of news is viewed in China as the accuracy and authenticity of information which matches facts to reflect objective reality.…”
Section: Introductionmentioning
confidence: 99%