2021
DOI: 10.1016/j.jrurstud.2021.05.009
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Understanding the cultural potential of rural festivals: A conceptual framework of cultural capital development

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Cited by 16 publications
(15 citation statements)
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References 47 publications
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“…Compared to the others, it has a very high level of mutual disagreement, and at the same time there is no specific attitude. Others agree, which is in line with contemporary perceptions, with the example of organizing rural festivals [116]. Respondents under the age of 40 also showed an enviable agreement with each other (Table 14), which is perhaps the most important because they are the ones who are the future of rural areas.…”
Section: Economic Sustainabilitysupporting
confidence: 70%
“…Compared to the others, it has a very high level of mutual disagreement, and at the same time there is no specific attitude. Others agree, which is in line with contemporary perceptions, with the example of organizing rural festivals [116]. Respondents under the age of 40 also showed an enviable agreement with each other (Table 14), which is perhaps the most important because they are the ones who are the future of rural areas.…”
Section: Economic Sustainabilitysupporting
confidence: 70%
“…Here, three elements have been explored: (1) body; (2) pre-existing cultural resources; (3) time. This article answers the calls for more research on the role of festivals in shaping participants' cultural capital (Rossetti & Quinn, 2021;Szabó, 2015), for qualitative studies about cultural capital (Vryonides, 2007) and on the conceptualisation of the embodied state (Prieur & Savage, 2011).…”
Section: Discussionmentioning
confidence: 73%
“…This article draws on data generated at two different festivals in Ireland and Italy through 92 semi-structured, in situ interviews and 34 in-depth semi-structured, in-depth, follow-up interviews with festival participants, and participant observations (Rossetti & Quinn, 2021). The in situ interviews lasted on average 24 minutes while the follow-up interviews averaged 49 minutes.…”
Section: Approach and Methodsmentioning
confidence: 99%
“…Festivals represent a multifaceted cultural phenomenon that combines traditional cultural practices with artistic innovation (Getz & Page, 2016;Rossetti & Quinn, 2021). Due to the experiential significance, festivals have emerged as a cultural process that often reflects the transformation according to time at one end and the acceptance of people at the other.…”
Section: Introductionmentioning
confidence: 99%
“…Jordan (2016) refers to this process as 'Festivalisation' to highlight the cultural consumption happening through intendedly designed festivals to pull attendees. Festivals are, by and large, perceived as cultural (Rossetti & Quinn, 2021) and social (Kuo et al, 2021) resources. The manifold advantages of festivals have been widely acknowledged in festival tourism literature.…”
Section: Introductionmentioning
confidence: 99%