2010
DOI: 10.1353/nar.0.0042
|View full text |Cite
|
Sign up to set email alerts
|

Unnatural Narratives, Unnatural Narratology: Beyond Mimetic Models

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
27
0
3

Year Published

2013
2013
2024
2024

Publication Types

Select...
4
3
2

Relationship

0
9

Authors

Journals

citations
Cited by 144 publications
(30 citation statements)
references
References 34 publications
0
27
0
3
Order By: Relevance
“…By contrast, the "unnatural" approaches of narrative theory (Alber, Iversen, Nielsen, & Richardson 2010;Alber 2009;Richardson 2006) have emphasized the artificial, non-and anti-mimetic quality of (postmodern) texts. Fictional texts resist the naturalization of narrative situations for the very reason that those situations are strange by nature.…”
Section: Modeling Fictional Minds In Interactionmentioning
confidence: 99%
“…By contrast, the "unnatural" approaches of narrative theory (Alber, Iversen, Nielsen, & Richardson 2010;Alber 2009;Richardson 2006) have emphasized the artificial, non-and anti-mimetic quality of (postmodern) texts. Fictional texts resist the naturalization of narrative situations for the very reason that those situations are strange by nature.…”
Section: Modeling Fictional Minds In Interactionmentioning
confidence: 99%
“…They argue that non-human storytelling should not be analyzed only through a single concept, such as "estrangement" (in Victor Shklovsky's formalist approach [17]) or "the unnatural" (suspending the conventions of natural narrative, see Alber et al [18]). For Bernaerts et al, we should view the phenomenon "as the result of a double dialectic of empathy and defamiliarization, human and non-human experientiality" ( [14], p. 69).…”
Section: For the Academy: Rotpeter's Report (Segments III And Iv)mentioning
confidence: 99%
“…Those who support the fashionable idea of "unnatural narratives" have argued that many literary works, especially those of innovative sort, "defy, flaunt, mock, play, and experiment with some (or all) of these core assumptions about narrative." 30 Literary works often twist readers' "natural," everyday schemas, perhaps creating new conceptions. 31 As the literary scholar Jan Alber sees it, "some literary texts not only rely on but also aggressively challenge the mind's fundamental sense-making capabilities."…”
Section: Iib the Laboratorymentioning
confidence: 99%