2009 16th IEEE International Conference on Image Processing (ICIP) 2009
DOI: 10.1109/icip.2009.5413590
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Utilizing affective analysis for efficient movie browsing

Abstract: Because of the fast increasing number of movies and long time span each movie lasts, novel methods should be developed to help users browse movies and find their desired clips effectively. Affective information in movies is closely related with users' experiences and preferences. Therefore, in this paper, we analyze the affective states of movies and propose affective information based movie browsing. Affective movie content analysis is challenging due to the great variety of movie contents and styles. To addr… Show more

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Cited by 32 publications
(20 citation statements)
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“…First, several visual and audio features are extracted from videos to characterize the video content. Then, the extracted features are fed into a general purpose classifier or regressor such as Support Vector Machine (SVM) [15], [23], [12] or Support Vector Regression(SVR) [27], [30], [38], [39], [31] for emotion classification or regression. Table 1 and Table 2 provide an exhaustive summary of direct video affective content analysis works that respectively use continuous emotion dimensions or discrete emotion categories, as well as extracted features, adopted classifiers/regressors, emotion descriptors, size of the dataset (i.e., the number of video clips if not explicitly stated), number of annotators, and experimental results.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…First, several visual and audio features are extracted from videos to characterize the video content. Then, the extracted features are fed into a general purpose classifier or regressor such as Support Vector Machine (SVM) [15], [23], [12] or Support Vector Regression(SVR) [27], [30], [38], [39], [31] for emotion classification or regression. Table 1 and Table 2 provide an exhaustive summary of direct video affective content analysis works that respectively use continuous emotion dimensions or discrete emotion categories, as well as extracted features, adopted classifiers/regressors, emotion descriptors, size of the dataset (i.e., the number of video clips if not explicitly stated), number of annotators, and experimental results.…”
Section: Discussionmentioning
confidence: 99%
“…Motionrelated features includes motion intensity, motion dynamics, and visual excitement. Motion intensity [30], [38], [14], [22], [12], [48], [39], [31], [42] reflects the smoothness of transitions between frames. It can be estimated from the intensity difference of two frames [31].…”
Section: Visual Featuresmentioning
confidence: 99%
“…There has been little work on affect analysis in real-world scenarios. One of early work is by Zhang et al [30] who analysed the affect of movies for efficient browsing of videos. However, this method does not take into consideration the facial expressions which are a strong cue.…”
Section: Motivation and Backgroundmentioning
confidence: 99%
“…A limitation of this approach is that the samples contain a single subject only. [18] proposed affect based video clip browsing by learning two regression models, predicting valence and arousal values, to describe the affect. The regression models learnt on an ensemble of audio-video features, such as motion, shot switch rate, frame brightness, pitch, bandwidth, roll off, and spectral flux.…”
Section: Top-down Techniquesmentioning
confidence: 99%