“…Moreover, encounters with actual dead bodies in a museum context suggest that history and other forms of knowledge-whether in the humanities, social sciences, or natural sciences-are created in and with, not 'after' (as Steedman's essay title would have it), the archive. Archival technologies applied to objects, whether documents or dead bodies, have historically striven towards a utopian state of perfect knowledge and complete data (Basu and de Jong 2016). Technologies of inscription, recording, sorting, and storage are contingent in practice, prone to errors and oversights, but in intention, they are thorough, definitive, and perhaps above all, functional.…”