“…It captures rich traces of background sound, speech, material set-up, spatial layout, body position and posture, visual attention and lines of sight, gestures and body language (Belk & Kozinets, 2005;Knoblauch, Schnettler, Raab, & Soeffner, 2006) -and all of these in their sequential order, so that pauses, rhythms, and speeds can be recovered during the analysis, for example when the temporal unfolding is of interest (Woermann & Rokka, 2015). Attending to the sequential unfolding of the embodied orders of situated performances social conduct is arguably important for grounding qualitative inquiry of many types (Woermann, 2016), but it is especially important from a practice perspective (Hindmarsh & Llewellyn, 2016;Toraldo et al, 2016). That is because it is rooted in Wittgensteinian language philosophy in which every interaction or situated conduct is seen as an improvisation over a set of formal and informal rules, and where the resources that enable competent rule-following include bodily skills, material tools, and emotional routines (Stern, 2003).…”