Video Killed the Radio Star? Online Music Videos and Recorded Music Sales

Kretschmer, Tobias; Peukert, Christian

doi:10.1287/isre.2019.0915

Cited by 52 publications

(37 citation statements)

References 71 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Lee (2018) performed a similar study on the sharing of pirated music over the BitTorrent network and found that piracy did lead to losses for top artists but also helped more unknown artists gain recognition and attract fans. Kretschmer and Peukert (2020) find evidence of a similar diffusion effect associated with online music streaming, where having content available to stream increased music sales by 10%. The potential benefits of diffusion may be sufficient for firms to deliberately choose to release a version of their product for free in order to generate greater product diffusion (Nan, Wu, Li, & Tan, 2018; Sundararajan, 2004).…”

Section: Literature Reviewmentioning

confidence: 91%

Does piracy lead to product abandonment or stimulate new product development?: Evidence from mobile platform‐based developer firms

Miric

Jeppesen

2020

Strategic Management Journal

View full text Add to dashboard Cite

show abstract

Section: Literature Reviewmentioning

confidence: 91%

Does piracy lead to product abandonment or stimulate new product development?: Evidence from mobile platform‐based developer firms

Miric

Jeppesen

2020

Strategic Management Journal

View full text Add to dashboard Cite

show abstract

“…Another element we anticipate seeing is the effect of musicianship on media usage. In recent years, online musicstreaming services have become quite popular and have affected record sales (Kretschmer and Peukert, 2020;Lee et al, 2020) and professional musicians' survival strategies (Kaimann et al, 2021). During the pandemic, this shift from live events to online services has been even more accelerated (Camilleri and Falzon, 2020;Coman, 2020;Sun et al, 2020;Boyce et al, 2021).…”

Section: Musicianshipmentioning

confidence: 99%

Music in Quarantine: Connections Between Changes in Lifestyle, Psychological States, and Musical Behaviors During COVID-19 Pandemic

et al. 2021

View full text Add to dashboard Cite

Music is not only the art of organized sound but also a compound of social interaction among people, built upon social and environmental foundations. Since the beginning of the COVID-19 outbreak, containment measures such as shelter-in-place, lockdown, social distancing, and self-quarantine have severely impacted the foundation of human society, resulting in a drastic change in our everyday experience. In this paper, the relationships between musical behavior, lifestyle, and psychological states during the shelter-in-place period of the COVID-19 pandemic are investigated. An online survey on musical experience, lifestyle changes, stress level, musical behaviors, media usage, and environmental sound perception was conducted. The survey was conducted in early June 2020. Responses from 620 people in 24 countries were collected, with the large proportion of the responses coming from the U.S. (55.5%) and India (21.4%). Structural equation modeling (SEM) analysis revealed causal relationships between lifestyle, stress, and music behaviors. Elements such as stress-level change, work risk, and staying home contribute to changes in musical experiences, such as moderating emotion with music, feeling emotional with music, and being more attentive to music. Stress-level change was correlated with work risk and income change, and people who started living with others due to the outbreak, especially with their children, indicated less change in stress level. People with more stress-level change tended to use music more purposefully for their mental well-being, such as to moderate emotions, to influence mood, and to relax. In addition, people with more stress-level change tend to be more annoyed by neighbors' noise. Housing type was not directly associated with annoyance; however, attention to environmental sounds decreased when the housing type was smaller. Attention to environmental and musical sounds and the emotional responses to them are highly inter-correlated. Multi-group SEM based on musicians showed that the causal relationship structure for professional musicians differs from that of less-experienced musicians. For professional musicians, staying at home was the only component that caused all musical behavior changes; stress did not cause musical behavior changes. Regarding Internet use, listening to music via YouTube and streaming was preferred over TV and radio, especially among less-experienced musicians, while participation in the online music community was preferred by more advanced musicians. This work suggests that social, environmental, and personal factors and limitations influence the changes in our musical behavior, perception of sonic experience, and emotional recognition, and that people actively accommodated the unusual pandemic situations using music and Internet technologies.

show abstract

“…El recorrido histórico de este producto ha seguido evolucionando, de modo que Vernallis (2013) lo reconoce como una manifestación cultural propia de la sociedad que lo crea y consume. Un modelo versátil acogido hoy a la digitalización de la industria musical (Pérez-Rufí & Rodríguez-López, 2017), donde, gracias a la reducción de los costes de producción, distribución y promoción en red, el número de canciones se ha triplicado (Kretschmer & Peukert, 2020). Las redes sociales han cambiado por completo el modo en que los usuarios interactúan con el vídeo musical, adaptándose a diversidad de pantallas.…”

Section: Introductionunclassified

Tiktokers y objetivación sexual de género en retos musicales

Vizcaíno-Verdú

Tirocchi

2021

View full text Add to dashboard Cite

The rise of social media such as TikTok, where short-content takes prominence, has generated a trend of online musical challenges. Songs from the music industry have made way for amateur choreography that is becoming viralized around the world, and replicated in a constant network algorithm. This study seeks to address gender differences and the sexual objectification of musical challenges on the platform. For this purpose, a descriptive and correlational content analysis was conducted for eight popular songs on the platform, in a sample of 400 tiktoks, 200 females and 200 males. Based on the analysis of the sexual objectification of music videos, we applied a codification that collected race and age demographics, followed by interpretative-choreographic factors such as body exposure, perpetration and gaze, decorative role, facial attractiveness, body shape, degree of global sexualization, provocative dress, and sexual dancing. The results revealed a significant statistical relationship between gender and sexual objectification in all cases, except in the choreography and sensual movements, sexual positions and seductive expressions. In the rest of the codes analyzed predominated the female gender. From this group, the exposure of body, facial attractiveness and provocative clothing differed. To sum up, the research introduces a new social phenomenon characterized by the sexualization of its young performers, where gender differences are accentuated perpetuating the media pattern of the music industry.

show abstract

Video Killed the Radio Star? Online Music Videos and Recorded Music Sales

Cited by 52 publications

References 71 publications

Does piracy lead to product abandonment or stimulate new product development?: Evidence from mobile platform‐based developer firms

Does piracy lead to product abandonment or stimulate new product development?: Evidence from mobile platform‐based developer firms

Music in Quarantine: Connections Between Changes in Lifestyle, Psychological States, and Musical Behaviors During COVID-19 Pandemic

Tiktokers y objetivación sexual de género en retos musicales

Contact Info

Product

Resources

About