2010
DOI: 10.1111/j.1467-8659.2010.01792.x
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Video Painting via Motion Layer Manipulation

Abstract: Temporal coherence is an important problem in Non-Photorealistic Rendering for videos. In this paper, we present a novel approach to enhance temporal coherence in video painting. Instead of painting on video frame, our approach first partitions the video into multiple motion layers, and then places the brush strokes on the layers to generate the painted imagery. The extracted motion layers consist of one background layer and several object layers in each frame. Then, background layers from all the frames are a… Show more

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Cited by 17 publications
(13 citation statements)
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“…Figure 11. (Middle, right) FT [2] and RC saliency maps are used respectively for stylized rendering [16] of an input image (left). Our method produces a better saliency map, see insets, resulting in improved preservation of details, e.g., around the head and the fence regions.…”
Section: Experimental Comparisonsmentioning
confidence: 99%
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“…Figure 11. (Middle, right) FT [2] and RC saliency maps are used respectively for stylized rendering [16] of an input image (left). Our method produces a better saliency map, see insets, resulting in improved preservation of details, e.g., around the head and the fence regions.…”
Section: Experimental Comparisonsmentioning
confidence: 99%
“…Inspired by this observation, a number of non-photorealistic rendering (NPR) efforts use saliency maps to generate interesting effects [7]. We experimentally compared our work with the most related, state-of-the-art saliency detection algorithm [2] in the context of a recent NPR technique [16] (see Figure 11). Our RC-maps give better saliency masks, which help the NPR method to better preserve details in important image parts and region boundaries, while smoothing out others.…”
Section: Experimental Comparisonsmentioning
confidence: 99%
“…A semantic driven approach, based on recent image parsing techniques in computer vision, benefits and leads to better simulations of artists' painting styles [8]. Huang et al used motion layer manipulations [9], and Collomosse et al [10] analyzed the video sequence as a spatiotemporal volume. O'Donovan et al proposed a method to use video segmentation and key-framed control strokes [11].…”
Section: Region-based Stroke-based Renderingmentioning
confidence: 99%
“…The resulting animations were insensitive to the motion of objects and the shape details. Recent studies [9][10][11], however, have rather focused on how to combine and utilize multiple image processing techniques and to apply image processing techniques at key-frames to guide the transformations of strokes. Despite acknowledged success, the current stroke-based rendering methods require a user's guidance at key-frames including picking key-frames, segmenting objects at key-frames, user-guidance at key-frames, and generating motion layers.…”
Section: Introductionmentioning
confidence: 99%
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