Violins, violence, translation: looking outwards.

Claramonte, María del Carmen África Vidal

doi:10.1080/13556509.2019.1616407

Cited by 9 publications

(5 citation statements)

References 14 publications

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“…In particular, these include creating an emotional atmosphere, national colour, the spirit of the era, the right tempo-rhythm of action, expression of internal action, subtext. The study also discusses the functions and possibilities of music as the most important element of the compositional form of representation (Claramonte, 2019). With the advent of modern sound technology in our life, the use of music and noise has considerably expanded.…”

Section: Resultsmentioning

confidence: 99%

“…The use of national themes in the violin art, the sharpness of the rhythm, the colour of the artistic temperament -all this poses interesting challenges for the performer, combined with the search for national colour and the personification of technical images (Claramonte, 2019). The processes of playing the violin occupy one of the most prominent places in the musical art and educational culture.…”

Section: Resultsmentioning

confidence: 99%

“…A little later, in Italy, the world-famous luthiers Guarneri and Stradivari worked to improve the sound of the violin, whose instruments are still valued at huge fortunes, and famous contemporary violinists time play Stradivari instruments. To date, there is information about over 1,000 violins made by Stradivari, of which about 150 have survived to the present day (Claramonte, 2019).…”

Section: Introductionmentioning

confidence: 99%

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Features of development of the violin art in the modern theatre

et al. 2021

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The foundation of the scientific basis for understanding the processes of development of modern violin art is relevant, since it allows discovering the foundations and results of transformations in the musical consciousness. The relevance of the study is determined by the decisive modifications that occur in the space of culture and affect the type of modern theatrical art. The purpose of this study is a comprehensive analysis of specific features of the violin art in the modern theatre. For this purpose, the following research methods were employed in this study: the method of analysis and the method of synthesis, induction and deduction, comparative historical and logical analysis, as well as the positions of scientific objectivity, systematisation in the study of works of violin art. The authors of the study analysed and summarised features of the development of the violin art in the modern theatre of the 21st century. The modern theatrical creativity with the use of violin art is considered from the standpoint of consistency, as a kind of artistic integrity, in which the manner of performance, repertoire, and the choice of the genre of performance play a certain role.

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Section: Resultsmentioning

confidence: 99%

Section: Resultsmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

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Features of development of the violin art in the modern theatre

et al. 2021

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“…That is, while the field has imported massively from other adjacent disciplines, it has, according to Zwischenberger (2019), rarely exported much so far. Particularly, in recent years, it has been increasingly recognized that translation studies risks becoming a self-contained, inward-looking, complacent and as a result isolated discipline as it has been so keen on being respected through establishing itself as a distinct field (Bassnett 2011;Vidal Claramonte 2019). Against such a backdrop, there have recently been calls for an "outward turn" in translation studies (Bassnett and Johnston 2019;Zwischenberger 2019) and the proposition of the idea of "post-translation studies" (Gentzler 2017).…”

Section: Introductionmentioning

confidence: 99%

From “Within” to “Beyond” in interpreting studies

Gu,

Wang

2023

Babel

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While there have been recent calls for an “outward turn” in (written) translation studies, interpreting researchers have mostly taken an inward-looking view of interpreting and investigated it as a semi-closed system and an arguably self-interested practice from within, despite the fact that interpreting in various forms and settings has been a co-constructing factor in the transfer of knowledge and also a vital shaper of history, (geo)politics, culture, religion, communication, and our human civilization. Going from “within” to “beyond,” this article conceptualizes interpreting as a consequential socio-political and historical shaping force and a source of inter/trans-disciplinary conviviality and argues for an outward turn in interpreting studies (IS). This article reviews pertinent recent studies with interdisciplinary and outward-looking features that have endeavored to answer the important “so-what” question in IS. These studies highlight the vital role and far-reaching impact of interpreting and interpreters in shaping different spheres of human communication and civilization across time and space. The article also points out directions to move IS forward from a predominantly inward-looking practice. We argue that it is high time we ventured out of our comfort zone, got off the well-trodden path, and took an outward-looking view of interpreting so that the sub-discipline can have more meaningful and mutually enriching dialogues with other disciplines and subject areas.

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“…El prefacio de Luis Pegenaute nos recuerda que el producto de la traducción puede funcionar de forma independiente, como otra obra literaria, y le otorga un nuevo estatus al concepto de copia. De esta manera, desacralizando los originales e incorporando teorías postestructuralistas como las de Derrida, se empieza a llegar a la conclusión de que la traducción, como el arte, es una copia de la realidad (Gentzler 2016;Vidal 2019), contingente histórica y socialmente. Partiendo de estos planteamientos, las editoras del volumen, Cáceres y Fernández, enfatizan la vertiente sociológica de la traducción literaria y agrupan los capítulos en cuatro bloques temáticos: «Aproximaciones a la traducción literaria desde el marco sociohistórico», «Identidad e hibridación en Irene RodRíguez ARcos La traducción literaria a finales del siglo XX y principios del XXI: hacia la disolución de fronteras CLINA vol.…”

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CÁCERES WÜRSIG, Ingrid y María Jesús FERNÁNDEZ GIL. 2019. La traducción literaria a finales del siglo XX y principios del XXI: hacia la disolución de fronteras. Soria: Vertere. Monográficos de la Revista Herm?neus

Arcos

2020

CLINA

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Violins, violence, translation: looking outwards.

Cited by 9 publications

References 14 publications

Features of development of the violin art in the modern theatre

Features of development of the violin art in the modern theatre

From “Within” to “Beyond” in interpreting studies

CÁCERES WÜRSIG, Ingrid y María Jesús FERNÁNDEZ GIL. 2019. La traducción literaria a finales del siglo XX y principios del XXI: hacia la disolución de fronteras. Soria: Vertere. Monográficos de la Revista Herm?neus

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