2014
DOI: 10.1177/0959354314553048
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“Virtual Fictional/Factual Positioning”: Mediating dialogical concepts in psychological and literary studies

Abstract: At the intersection of psychological and literary studies and acknowledging dialogical aspects of the self in Herman’s Dialogical Self Theory (DST), we coined the concept of “Virtual Fictional/Factual Positioning” (VFP), which is also guided by Bakhtin’s discussion on the author-hero relation. VFP evaluates the possible dialogical coalition of the author’s positions as “I-as-artist/novelist” and “I-as-the-hero-of-my-story,” amongst other positions in literary narratives. Evaluation of the existing literature o… Show more

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Cited by 6 publications
(5 citation statements)
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“…Elsewhere, I have used interviewing and case study material to explore the kinds of positioning processes described here (see Raggatt, 2000, 2006, 2012a). Extending this approach, the micro-analysis of selected literary texts using positioning theory offers a promising avenue for further exploration (see also Barani, Wan Yahya, & Bin Talif, 2014; Raggatt, 2007). While the analysis of fiction has been a preoccupation of literary theorists since before the time of Bakhtin, it seems a little strange that this enterprise has not caught the imagination of more social scientists, particularly psychologists (Fireman, McVay, & Flanagan, 2003).…”
Section: Discussionmentioning
confidence: 99%
“…Elsewhere, I have used interviewing and case study material to explore the kinds of positioning processes described here (see Raggatt, 2000, 2006, 2012a). Extending this approach, the micro-analysis of selected literary texts using positioning theory offers a promising avenue for further exploration (see also Barani, Wan Yahya, & Bin Talif, 2014; Raggatt, 2007). While the analysis of fiction has been a preoccupation of literary theorists since before the time of Bakhtin, it seems a little strange that this enterprise has not caught the imagination of more social scientists, particularly psychologists (Fireman, McVay, & Flanagan, 2003).…”
Section: Discussionmentioning
confidence: 99%
“…Literary fiction affords its writers and readers a different kind of dialogue with their own selves than autobiography does (Jones, 2010, 2014). Psychologists seldom join Bakhtin’s interest in the psychology of literature (but see Bandlamundi, 2016; Barani et al, 2014; Puchalska-Wasyl, 2011). His understanding of the epistemic process depicts a kind of scholarship that differs from pragmatics of qualitative research.…”
Section: Points Of Departurementioning
confidence: 99%
“…The dialogical movements were multidirectional, in which he claimed and reclaimed his Arab identity, a process that somewhat resembled a battlefield. In showing his contempt toward the school’s institutional ethos of speaking English, Said did not only speak Arabic to show his defiance but he also invoked a “we-ness” through identifying himself with an Arabic-speaking practice, a cultural armory that he and his fellow Arabic-speaking students would collectively engage in, that is, forming a “dialogical coalition” (Barani, Yahya, & Talif, 2014, p. 763) to overthrow the powered position of his school. In mollifying this power, Said’s I-as-Arab position resurfaced as he, along with an imagined “we,” counter-subjugated the school authorities.…”
Section: Institutionalized Spaces In the Dialogical Self: An Illustramentioning
confidence: 99%