This article considers epistemological implications of Bakhtin's dialogism. Bakhtin urged scholars in the human sciences to treat a text as having a voice of its own, to be attuned to its creativity and originality, and to resist conflating one's image of the author with the actual person who has produced the text. Importing his ideas into the social sciences creates a site of tensions at the disciplines' boundaries. Yet his characterisation of dialogue applies also to qualitative researchers' interactions with nonfiction material. Bakhtin contended that a text as an utterance is a unique unrepeatable event; and that a voice is immanent in how the text itself operates: its placement in a dialogical sequence (answerability), its plan (purpose) and the realisation of the plan. Attention to these dynamics could constitute a formative step in the epistemic process of qualitative research, as concrete examples illustrate. A concept of a 'dialogic triangle' (utterance, response and their interrelation) is proposed. The dialogic nature of consciousness, the dialogic nature of human life itself. The single adequate form for verbally expressing authentic human existence is the open-ended dialogue. … To live means to participate in dialogue: to ask questions, to heed, to respond, to agree, and so forth. In this dialogue a person participates wholly and throughout his whole life: with his eyes, lips, hands, soul, spirit, with his whole body and deeds. (Bakhtin 1984: 293) Bakhtin wrote the above in 1961 when reworking his 1929 monograph on Dostoevsky. The foundation of dialogism in literary criticism is often treated as secondary to psychology when 'Bakhtin' migrates to the social sciences. Although he theorised about human consciousness through literature-not only in the tradition of the Russian intelligentsia but also in parallel with Western thinkers such as Paul Ricoeur-Bakhtin was interested in literary prose per se as an expression of human existence. Bakhtin (1986) described scholarship in the humanities as a special kind of dialogue. It comprises complex interrelations between the given text and a context created by the scholar in the course of questioning, refuting, etc. Having established that an utterance is a unique event every time something is read or heard afresh, he raises the question of 'whether science can deal with such absolutely unrepeatable individualities as utterances'-and assures us, the 'answer is, of course, it can', for the scientific object of study should be 'the specific form and function of this