Vladimir Bonačić: Computer-Generated Works Made within Zagreb's New Tendencies Network (1961–1973)

Fritz, Darko

doi:10.1162/leon.2008.41.2.175

Cited by 5 publications

(3 citation statements)

References 2 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Bonačić (1974) is a good source for a first-hand explanation of both Bonačić's works on the Galois fields and Bonačić's ideas on what and how computer art must be. Fritz (2008) and ( 2011) shed more light on the history of Bonačić's artistic career and other works.…”

Section: Vladimir Bonačićmentioning

confidence: 99%

Combinatorial Artists: Counting, Permutations, and Other Discrete Structures in Art

Barrière¹

2021

Handbook of the Mathematics of the Arts and Sciences

View full text Add to dashboard Cite

This chapter is motivated by a question I asked myself: "How can combinatorial structures be used in a work of art?" Immediately, other questions arose: Are there artists that work or think combinatorially? If so, what works have they produced in this way? What are the similarities and differences between art works produced using combinatorics? Combinatorics is a very transversal branch of mathematics. It is connected to logic and it intervenes in the building of languages in general as natural language, musical language and poetry. Combinatorics has been present in artistic practice for millenia, especially in music and poetry; for instance, in the shaped poems of Simmias of Rhodes in Ancient Greece. However, we are interested in artistic practices that are driven by the use of combinatorial ideas, structures, and methodologies; artists whose work is conceptualised or merely inspired by combinatorics. This often happens in connection with an interest in structure and language, and the phenomena was significant in the twentieth century, as a byproduct of the revolution that took place not only in art but in many other areas of knowledge. In this chapter, we present a survey of artists that think combinatorially, work combinatorially and construct combinatorial artworks. The selection covers music, literature, visual arts including digital art and an example of early physical interactive art, dance, theatre and cinema. It is a non-exhaustive list of artists, selected to show differences and similarities in their ways of approaching art when using combinatorics.

show abstract

Section: Vladimir Bonačićmentioning

confidence: 99%

Combinatorial Artists: Counting, Permutations, and Other Discrete Structures in Art

Barrière¹

2021

Handbook of the Mathematics of the Arts and Sciences

View full text Add to dashboard Cite

show abstract

“…Following previous developments of media architecture in retrospective, such as the initial fusion of physical and digital architectural interventions [20] and, later, media façades or large urban displays [13], the field has expanded and matured. The integration of digital media into the architectural form of the built urban environment is no longer limited to lighting technologies for transforming buildings at night.…”

Section: Introductionmentioning

confidence: 99%

A Media Architecture Approach for Designing the Next Generation of Urban Interfaces

Wiethoff¹,

Hoggenmueller²,

Rossmy³

et al. 2021

IxD&A

View full text Add to dashboard Cite

The augmentation of the built and urban environment with digital media has evolved and matured over recent years. Cities are seeing a rapid rise of various technologies; a trend also accelerated by global crises. Consequently, new urban interfaces are emerging that integrate next-generation technologies, such as sustainable interface materials and urban robotic systems. However, their development is primarily driven by technological concerns, leaving behind social, aesthetic, and spatial considerations. By analyzing our own media architecture research projects and real-world applications from the past two decades, we offer a structural approach for developing these new urban interfaces. The individual cases provide early insights and challenges related to prototyping and augmenting contexts with novel input and output modalities. These results in common, preliminary observed patterns in the process of integrating next-generation technologies into urban environments and surroundings, in response to continuously evolving social needs.

show abstract

“…Two answers are particularly salient: One stresses the importance of understanding the historical and institutional conditions of technoscience art; another makes inquiries about analytical methods to approach it. A lion's share of these publications stems from the network of scholars participating in the emerging field Media Art Histories (for conference proceedings, see e.g.Broeckmann and Nadarajan 2008;Shanken 2008;Fritz 2008;Fernández 2008;Collins Goodyear 2008; Cubitt and Thomas 2013).…”

mentioning

confidence: 99%

Surveying the literature on technoscience art: from pioneer stories to collaborations between artists, scientists and engineers as the object of study

Orrghen

2017

Digital Creativity

View full text Add to dashboard Cite

show abstract

Vladimir Bonačić: Computer-Generated Works Made within Zagreb's New Tendencies Network (1961–1973)

Cited by 5 publications

References 2 publications

Combinatorial Artists: Counting, Permutations, and Other Discrete Structures in Art

Combinatorial Artists: Counting, Permutations, and Other Discrete Structures in Art

A Media Architecture Approach for Designing the Next Generation of Urban Interfaces

Surveying the literature on technoscience art: from pioneer stories to collaborations between artists, scientists and engineers as the object of study

Contact Info

Product

Resources

About