2016
DOI: 10.1093/ips/olw023
|View full text |Cite
|
Sign up to set email alerts
|

Waiting for International Political Sociology: A Field Guide to Living In-Between

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
20
0
1

Year Published

2018
2018
2024
2024

Publication Types

Select...
5
2

Relationship

2
5

Authors

Journals

citations
Cited by 42 publications
(21 citation statements)
references
References 89 publications
0
20
0
1
Order By: Relevance
“…In the introduction, I noted Lisle's (2016) concerns that the project of International Political Sociology (IPS) had come to be dominated by Sociology at the expense of the international and the political. By bringing Justin Rosenberg's framework of 'Multiplicity' (2016) to bear on concerns of IPSin this case visual-material culture as they intersect in architecture -I have shown one way to address the concerns of Lisle and related issues raised by Austin (2017) about the political purchase of IPS.…”
Section: Conclusion: An International Politics Of Czech Architecmentioning
confidence: 99%
See 1 more Smart Citation
“…In the introduction, I noted Lisle's (2016) concerns that the project of International Political Sociology (IPS) had come to be dominated by Sociology at the expense of the international and the political. By bringing Justin Rosenberg's framework of 'Multiplicity' (2016) to bear on concerns of IPSin this case visual-material culture as they intersect in architecture -I have shown one way to address the concerns of Lisle and related issues raised by Austin (2017) about the political purchase of IPS.…”
Section: Conclusion: An International Politics Of Czech Architecmentioning
confidence: 99%
“…I argue that doing sothrough multiplicitywould provide an alternative to abandoning the international or merely taking 'established modes of enquiry from Sociology and Political Sociology and apply [ing] these "upward" to the realm of the international', which Lisle explicitly and rightly cautions against (2016, p. 420). Lisle (2016) and Austin (2018) both note the difficulties of 'zooming' between the micro-level of (e.g.) aesthetics, materialities or practices and the macro-level of international relations, global politics or 'the world-political' (Austin, 2018).…”
mentioning
confidence: 99%
“…A simple formulation of this problem might be as follows: if migrants are already de-humanized and devalued, what is the point in demonstrating how non-human life-worlds constitute even the most precarious and degraded spaces? So I've been thinking alongside this discarded tube of toothpaste to try and work out how to do this kind of work differently -to force myself to confront the irresolvable, uncomfortable and deeply troubling ethico-political questions thrown up by issues of migration (Lisle, 2016b). Conceptually, the tube of toothpaste made me think much harder about how objects carry with them multiple trajectories, temporalities and rhythms.…”
Section: Toothpaste (Dl)mentioning
confidence: 99%
“…Our job is not to occupy already pressured space with privileged and narcissistic narratives about our own 'wounds.' Our research intervention here embodies a critical and reflexive practice that draws on feminist praxis, acknowledges emotional and intellectual empathy, foregrounds dispositions of vulnerability and works on mobilizing solidarity (Davids 2014;Lisle, 2016b;McNevin 2006;Moulin and Nyers 2007;Nyers 2006). Our challenge in critically interrogating the aftermath of the Hotel Captain Elias on Kos is to avoid putting ourselves so firmly in the centre of the research that we erase, obscure, displace the migrants themselves.…”
mentioning
confidence: 99%
“…It represents chaos, and reminds us of the uncertainty and precariousness of life. 18 This focus, however, relies on, and risks rearticulating, what Debbie Lisle has referred to as a 'restrictive emotional grammar' 19 in and to our interrogations of global politics. While like Pentinnen, Lisle recognises the understandable nature of these emotional pathways, Lisle is also interested in examining 'how misery, horror, and suffering' are translated through a much broader emotional landscape, including 'absurdity … slapstick … and laughter', 20 and that this may hold enormous potential.…”
Section: The Fullness Of War Experiencementioning
confidence: 99%