Warna Tenun Doyo Sebagai Expresi Masyarakatnya (Tanjung Isuy - Kutai Barat)

Abstract

<strong>Abstract</strong><br />Tenun Doyo is a type of woven connective made by a live fibers doyo (Curliglia Latifolia). Doyo is a plant kind of a strong pandanus fibrous and growing wild in the Kalimantan’svillage, such as in Tanjung Isuy, Jempang-West Kutai. Weaving is famous not only forusing a basic source of some natural fibers, but also because it tinged with a natural dye.<br />The research focus on experiment composition a variaton of color based on a naturaldye of West Kutai and new motives or patterns based on the surrounding environment.<br />Used qualitative method that based on Research Through Design method. Design as research is known more as Practice Based Research or Action Research, involvingsystimatic research through practical activity. By using the Practice Based Research,the results could be some new things in infomation form to open the insight, possibilityof forms, process, concept and knowledge. The outcome intended to create the colors<br />variantions for the pattern or motive, which comes from the nature objects in WestKutai, so the woven doyo’s colors have had more range and finally they have had manyvarioations. Hopefully, the colors’s variations have the meaning that reflecting the valueand culture of West Kutai in general and villages nearby in particular. The existence ofcolors and motives are expected to revitalise the Dayak Benuaq tribe in West Kutai to<br />increase the willing for weaving in order that the expertise not extinct and sustainableheredity. It can maintain the Tanjung Isuy local indigous and increase the communityproductivity.<br /><div> </div><div> </div><div><strong>Abstrak</strong></div>Tenun doyo merupakan jenis tenun ikat berbahan serat daun doyo (Curliglia latifolia). Doyo adalah tanaman jenis pandan yang berserat kuat dan tumbuh liar di pedalaman Kalimantan, diantaranya di desa Tanjung Isuy, Jempang, Kutai Barat. Tenun doyo tidak hanya terkenal karena menggunakan bahan dasar serat alami, namun juga karena diwarnai dengan pewarna alami. Penelitian ini fokus pada eksperimen komposisi variasi warna berdasarkan pewarna alami dari Kutai Barat sendiri dan motif baru berdasarkan lingkungan sekitarnya. Menggunakan metode kualitatif di mana metode research through design menjadi dasarnya. Design as research lebih dikenal dengan nama practice based research atau action research, melibatkan riset sistimatis melalui aktivitas praktis. Di mana<br />hasilnya dapat merupakan hal-hal baru dalam bentuk informasi untuk membuka wawasan, kemungkinan bentuk-bentuk, proses, konsep, dan pengetahuan. Hasil penelitian ditujukan untuk membuat variasi warna-warna bagi motif yang bersumber dari objek-objek alam di Kutai Barat, sehingga warna tenun doyo

ANALISIS NILAI TAMBAH DAN STRATEGI PENGEMBANGAN USAHA PENGOLAHAN ULAP DOYO (Curculigo latifolia) DI KELURAHAN LOA IPUH KABUPATEN KUTAI KARTANEGARA

“…Program ini diperlukan untuk meningkatkan penjualan ulap doyo. Program ini dapat berupa penciptaan sesuatu yang baru pada produk seperti motif yang lebih modern dan warna yang lebih variatif bahkan pertambahan fungsi produk (Purbasari and Rahardja, 2018). Inovasi produk yang berbasis kain ulap doyo di kelurahan Loa Ipuh, perlu dikembangkan secara komprehensif ke dalam aneka ragam produk sehari-hari, sehingga ulap doyo dapat lebih dikenal luas dan lestari.…”

Design Men’s Bag for Starter Kit in a New Normal Life During the Covid-19 Pandemic Using Doyo Weaving and Tumpar Embroidery

“…Doyo weaving is a type of tie weaving made from doyo leaf fiber (Curliglia latifolia). Doyo is a type of pandanus plant that has strong fibers and grows wild in the interior of Kalimantan, including in the village of Tanjung Isuy, Jempang, West Kutai [3]. Doyo weaving is not only famous because it uses natural fiber as a base, but also because it is colored with natural dyes [4].…”

Color Representation in the Word ‘COVID-19’ in WHO Indonesia’s Instagram

“…These interpretations become deeply ingrained in cultural practices, creating conflicting meanings for specific colors across different societies and historical eras (Feisner, 2006). For instance, white, commonly associated with happiness and celebration in Europe, takes on a contrasting meaning in China, symbolizing death and mourning (Purbasari & Rahardja, 2018). Similarly, purple, representing pain and sorrow in Java, contrasts with its symbolism in Western culture (Amelinda & Franzia, 2020).…”